Sound guy Xmas – Scotch-tape Measuring-Tape tape
sound guy xmas – Darth Vader toaster
Sound Guy Xmas – Scaena Line Array
Sound guy Xmas – ScrewDrivers
You can’t just buy one or two screw drivers for xmas, a whole set is a MUCH better idea.
I’ve had nothing but a fantastic experience with WIHA drivers.
This 33 Piece Drivelock screw driver set is a versatile and lightweight solution to carrying around 33 full size drivers.

- Includes Both Soft Cushion Grip & MicroFinish Non-Slip Grip Handles
- Slotted: 3, 3.5, 4, 4.5, 5.5, 6, 6.5
- Phillips: #0,#1 & #2
- Square: 1 & 2
- TORX: T6,7,8,9,10,15,20, 25,30,40
- Nut Drivers Inch 3/16, 1/4, 5/16, 11/32, 3/8, 7/16, 1/2
- Nut Drivers Metric: 5.5, 6, 7, 8, 9, 10,11mm
- Inch HEX: 3/32, 7/64, 1/8, 9/64, 5/32, 3/16
- Metric HEX: 2, 2.5, 3, 4, 5, 6mm
If you have never seen the Drive Lock system in action check this out
If the above is too big, a great starting point is the Drive-Loc VI 15 Pc. Combo Set in Pouch They roll up nicely into any gig bag.

Wiha also offer this 51 piece Precision screw driver set that will last your professional a lifetime!

- Slotted Tips: 0.8, 1.0, 1.2, 1.5, 1.8, 2.0, 2.5, 3.0, 3.5, 4.0mm
- Phillips Tips: #000, 00, 0, 1
- Hex Metric Tips: 1.3, 1.5, 2.0, 2.5, 3.0, 4.0mm
- Hex Inch Tips: .028, .035, .050, 1/16, 5/64, 3/32, 7/64, 1/8, 9/64, 5/32
- Torx Tips: T1, 2, 3, 4, 5, 6, 7, 8, 9, & T10
- Nut Drivers: 1.5, 1.8, 2, 2.5, 3, 3.5, 4, 4.5, 5, 5.5mm
In the same vein as the drive lock drivers, the System 4 screw drivers also offer complete mobility by reducing the weight of screw driver handles.
Sound Guy XMAS!!!!! Rigol DS1054Z 4 Channel Oscilloscope –
Xmas is coming! As we know sound guys are the most difficult people to buy for. Over the last few year I’ve posted some suggestions, here is day 1!
Day 1 – Rigol DS1054Z 4 Channel Oscilloscope

This came to my attention from the EEVBLOG https://www.youtube.com/watch?v=ETCOhzU1O5A love this guy.
It’s an awesome price for a very powerful little machine. Include probes and USB cable.
For $507 Canadian Electro Meter in pickering can hook you up!
Fixing Logitech trackball performance
I love these Logitech Marble Mouse trackballs, I have one for every computer. After a few years they slow down physically. Cleaning the dust off does not help enough, something different needed to be applied. I’ve been researching lubricants and oils, doing some tests with households; but I think I’ve found the perfect fluid. Ian Gomes of Union Sound Company made a recommendation a few years back for Penny and Giles faders. A quick amazon search lead me to Lucas Silicone Shock fluid. I must report that it is the perfect product for this application. If you need a drop, I’ll send you a q-tip of it in the mail.

Samsung: Possibly the worst stereo system I’ve ever seen
Generating Code with spreadsheet for Keyboard Assignments of CADSOFT Eagle
I needed a way of Generating Code, lots of code. In cadsoft eagle, the Keyboard Assignments are completely user customizable. They have a script language that allows you to modify the software. I’ve used hundreds of the ULP and SCRs and decided to write my own Generator.
Necessity is the mother of all innovation.

Home audio networking – 101 Device discovery
Tony Kuzub – Wikipedia
Tony Kuzub
Anthony Peter George Kuzub or simply Tony Kuzub, as he is better known, is a Canadian recording engineer and producer based in Saskatoon, Saskatchewan, Canada. He is the founder of the now defunct High Voltage Recording, and is currently co-owner and head engineer of Tanda Recording.
Biography
Kuzub was born April 4, 1983 in Saskatoon, Saskatchewan, where he attended Cardinal Leger Elementary School, and later moved to Evan Hardy Collegiate for high school . Something of a child prodigy, Kuzub showed precocious skills with computing and media equipment, often building computers from scratch, creating videos, and even establishing a viable recording studio in his mother’s basement . At the age of ten he founded his first company, Copycat Recording, which duplicated audio CD’s to cassettes for the benefit of those who did not own CD players. It was in high school that his talents truly blossomed, as he founded High Voltage recording, and began to connect with budding musicians from the Saskatoon area. He also stood out as class president during his senior year.
Career
After graduating from high school in 2001, Kuzub moved his studio to the heart of downtown Saskatoon and began to engineer professionally. He also worked briefly during this period for the Division of Media and Technology at the University of Saskatchewan, editing and arranging video for the local educational cable channel SCN . After leaving this job, he came to concentrate exclusively on recording and producing for studio High Voltage Recording, working with such notable Canadian artists as The Wheatmonkeys, Joel Plaskett, North of Shorty, Spade the Shovelhead and Jordan Cook, and later on even more high-profile acts such as The Mars Volta . His impressive resume landed him a job as an engineer at the MuchMusic Video Awards (or MMVAs) in 2004, where he worked with such artists as The Beastie Boys, Evanescence, Hoobastank, Arcade Fire and Hilary Duff. Kuzub reprised this role in each of the years which followed through to 2007 .
After cutting ties with his employee Sandy Burnett in late 2007, Kuzub closed High Voltage Recording. Soon after, Kuzub spent several months in Sydney, Australia, where he worked at Fox Studios as an audio editor before returning to Canada. Having forged a partnership with session/studio drummer Arlen Hall, Kuzub co-founded Tandaphonic Incorporated and its subsidiary Tanda Recording, a new recording company with a capacious studio, also based in Saskatoon . Here Kuzub works not only as a recording engineer and mixer, but has become even more active in the creative process as a producer.
Controversy
Kuzub made local headlines in 2006 when he identified a potential conflict of interest in the adjudication process to select a song for Saskatoon’s centennial that same year. Speaking for a number of disenchanted members of the Saskatoon recording industry, Kuzub identified that one of the judges, Ross Nykiforuk, had overseen the selection of a former bandmate by the name of Corey Hildebrand as the winner of contest and the $1,000 recording contract that came with it.
Ward-Beck Preservation Society
Kuzub is the founder of the Ward-Beck Systems Preservation Society, an organization dedicated to maintaining Canadian make Ward-Beck recording equipment. The mission statement of the society, as described by the website, is to “keep vintage Ward-Beck equipment running and working by supplying a database of documentation, knowledge, and support.” In order to accomplish this task, Kuzub has created an online library of technical manuals, and photo gallery for Ward-Beck equipment, as well as a forum for the exchange of Ward-Beck related information .
Discography
| Year | Artist | Album / “Song Name” | Role |
|---|---|---|---|
| 2008 | Arms Up | “Caroline” | P, M, E |
| 2008 | Jordan Cook | Seven Deadly Sins | E, Cp, M, Ed |
| 2008 | Magic Band | Magic Band | E |
| 2008 | Sundown Strip | P, M, E | |
| 2007 | Drowning Ophelia | TBA | P, M, E |
| 2007 | Jeremy Lane | Skeletonmask | P, M, E |
| 2007 | Johnny Gritt | Johnny Gritt | M, E |
| 2007 | Matty Powel | Ness Creek Sessions | Ed |
| 2008 | Arms Up | “Streets Cities”, “Oh well” | P, M, E |
| 2007 | Otenang | M | |
| 2007 | Rising 4 | “Before I Awaken” | M, E |
| 2007 | Smokekiller | “Out there” “Back to the Heart” | M, E |
| 2007 | Spade the Shovel Head | Get a Helmet | P, M, E |
| 2007 | Streetlight Scenery | P, M, E | |
| 2007 | Sundown Strip | P, M, E | |
| 2007 | The Huxxtabulls | The Huxxtabulls | M, E |
| 2006 | Everlong | Mixing | |
| 2006 | Les Fabian | “Here She Comes” | M, E |
| 2006 | Letter Bomb | M, E | |
| 2006 | Mykal Gambull | Volume 1 | M, E, A |
| 2006 | Noel Wilcox | “Generation Why” | P, M, E |
| 2006 | North Of Shorty | Trouble in Paradise | P, M, E |
| 2006 | Poser Disposer | A | |
| 2006 | The ROA | M, A | |
| 2006 | The Wheatmonkeys | “Television” and “Brightside” | M, E |
| 2006 | Whiskey Halo | M | |
| 2005 | Darry Dinnell | “Sorry Ms. Brandon” | P, M, E |
| 2005 | FYFy | E, A | |
| 2005 | Holy Cross High School | Sound and Fury | M, E |
| 2005 | Hush Twins | A, E | |
| 2005 | Joel Plaskett | Live at Amigo’s | E, M |
| 2004 | Holy Cross High School | Sound and Fury | E |
| 2004 | Liberated Noise | A | |
| 2004 | Orchestra Diamante | Orchestra Diamante | E, M, A |
| 2003 | Clete Rekve | “Sleepin’ on the Engine” | M, E |
| 2001 | Ambush | Rural Brewery | P, M, E |
| 2001 | Tint | M, E |
LEGEND:
- P: Producer
- M: Mixer
- E: Engineer
- Cp: Composer
- Ed: Editor
- A: Arranger
P=Producer
M=Mixed or Remixed
Ed=Editor
E=Engineer
D=development
Cp=Co-Producer
A=Assistant
5 ways to get the most out of the books you read
Spring Cleaning – leads to…
Summer sale!
Cleaning out the shop… more to follow


| WBS-L – 10-060 : PPM Meter Driver |
| WBS-L – 14-260 : Mic-Preamp and HP Filter |
| WBS-L – 4-109 : Amplifier Card |
| WBS-L – 8-109 : Amplifier Card |
| WBS-L – 8200 Rack 1 : 8200 Rack 1 |
| WBS-L – 8200 Rack 2 : 8200 Rack 2 |
| WBS-L – 8200 Rack 3 : 8200 Rack 3 – Front Room |
| WBS-L – 8200 Rack 4 : 8200 Rack 4 – Front Room |
| WBS-L – 8200 Rack 5 : 8200 Rack 5 – Front Room |
| WBS-L – 970029-1 : 12 Fader remote modules |
| WBS-L – ADC-48 : 48 Point Patchbay to EDAC90 |
| WBS-L – Antoinette : Antoinette |
| WBS-L – Bryston 4B : Power Amplifier |
| WBS-L – BS – BIG PPM : Bach and Simpson – Large WBS PPM meter |
| WBS-L – BS – BIG VU : Bach and Simpson – Large WBS VU meter |
| WBS-L – BS – BIG VU – 400 : Bach and Simpson – Large WBS VU meter |
| WBS-L – BS – SMALL PPM : Bach and Simpson – Small WBS PPM meter |
| WBS-L – BS – SMALL VU : Bach and Simpson – Small WBS VU meter |
| WBS-L – BS – SMALL VU : Bach and Simpson – Small WBS VU meter |
| WBS-L – COUNTER : Timer |
| WBS-L – DMM12 : Tannoy DMM12 Speaker |
| WBS-L – M124 : Universal Audio Amplifier |
| WBS-L – M166 : Summing – Summing amplifier |
| WBS-L – M174 : Intercom Cross Point |
| WBS-L – M201 : M201 Relay Module |
| WBS-L – M201 : M201 Relay Module |
| WBS-L – M201D : M201 Relay Module |
| WBS-L – M202 : M202 – Logic Latch Relay Module |
| WBS-L – M202 : M202 – Logic Latch Relay Module |
| WBS-L – M207 : Phantom Power 24V to 48 V |
| WBS-L – M207 : Phantom Power 24V to 48 V |
| WBS-L – M207 : Phantom Power 24V to 48 V |
| WBS-L – M24A : Broadcast Multi-Track Console |
| WBS-L – M401 : Stereo Noise Suppressor |
| WBS-L – M402B : M402B – Equalizer |
| WBS-L – M404A : Passive HP Low Pass filter |
| WBS-L – M406B : Compressor / Limiter / De-Esser |
| WBS-L – M441M : Line input and Microphone pre-amp |
| WBS-L – M450 : Universal Amplifier |
| WBS-L – M450B : Universal Audio Amplifier |
| WBS-L – M450B : Universal Audio Amplifier |
| WBS-L – M451 : Talkback Conrtole and Dual Microphone Pre-amps |
| WBS-L – M452 : Tone Generator |
| WBS-L – M453A : Cue Speaker Amplifier |
| WBS-L – M453A : Cue Speaker Amplifier |
| WBS-L – M453A : Cue Speaker Amplifier |
| WBS-L – M453A : Cue Speaker Amplifier |
| WBS-L – M455 : Reverb Return Module |
| WBS-L – M457 : 4 Channel Sub Mixer |
| WBS-L – M458 : Peak Detector |
| WBS-L – M461 : Microphone and line Pre-amp |
| WBS-L – M461 : Microphone and line Pre-amp |
| WBS-L – M461 : Microphone and line Pre-amp |
| WBS-L – M461M : Microphone and line Pre-amp |
| WBS-L – M462 : 3-Band Equalizer – Full Parametric |
| WBS-L – M462 : 3-Band Equalizer – Full Parametric |
| WBS-L – M462 : 3-Band Equalizer – Full Parametric |
| WBS-L – M462A : 3-Band Equalizer – Mid Sweep |
| WBS-L – M462A : 3-Band Equalizer – Mid Sweep |
| WBS-L – M462A : 3-Band Equalizer – Mid Sweep |
| WBS-L – M462A : 3-Band Equalizer – Mid Sweep |
| WBS-L – M462A : 3-Band Equalizer – Mid Sweep |
| WBS-L – M462B : 4-Band Equalizer – Full Parametric |
| WBS-L – M462B : 4-Band Equalizer – Full Parametric |
| WBS-L – M462B : 4-Band Equalizer – Full Parametric |
| WBS-L – M463B : M463AB – Submaster Module |
| WBS-L – M463M : Summing – Sub Group |
| WBS-L – M464 : High Pass / Low Pass Filter |
| WBS-L – M464 : High Pass / Low Pass Filter |
| WBS-L – M464 : High Pass / Low Pass Filter |
| WBS-L – M466 : Compressor / Limiter / De-Esser |
| WBS-L – M466 : Compressor / Limiter / De-Esser |
| WBS-L – M466 : Compressor / Limiter / De-Esser |
| WBS-L – M466 : Compressor / Limiter / De-Esser |
| WBS-L – M466M : M466M Meter Module |
| WBS-L – M467 : VU Meter – Comp tie – Noise Gate |
| WBS-L – M467 : VU Meter – Comp tie – Noise Gate |
| WBS-L – M467 : VU Meter – Comp tie – Noise Gate |
| WBS-L – M467K : VU Meter – Comp tie – Noise Gate with Key |
| WBS-L – M467K : VU Meter – Comp tie – Noise Gate with Key |
| WBS-L – M468V : Reverb Return Module |
| WBS-L – M469C : M1204 Routing module |
| WBS-L – M470A : Microphone and line Pre-amp |
| WBS-L – M470A : Microphone and line Pre-amp |
| WBS-L – M470C : Microphone and line Pre-amp |
| WBS-L – M470D : Microphone and line Pre-amp |
| WBS-L – M471 : Stereo Input |
| WBS-L – M471A : Stereo Input |
| WBS-L – M472 : 3 Band Equalizer |
| WBS-L – M473A : Summing – sub Group |
| WBS-L – M473A : Summing – sub Group |
| WBS-L – M475 : Monitor – Stereo speaker monitor |
| WBS-L – M477 : Summing – Master Summing |
| WBS-L – M479 : Summing – Aux |
| WBS-L – M479 : Summing – Aux |
| WBS-L – M487 : Dual Master Module |
| WBS-L – M490A : Microphone Pre-amp |
| WBS-L – M490C : Mono line in – Via Transformer |
| WBS-L – M490E : Stereo Input Module |
| WBS-L – M490E : Stereo Input Module |
| WBS-L – M490E : Stereo Input Module |
| WBS-L – M490F : Stereo Input Module with Aux routing |
| WBS-L – M495 : Stereo Monitor Module |
| WBS-L – M495 : Stereo Monitor Module |
| WBS-L – M497 : Summing Amplifiers |
| WBS-L – M497 : Summing Amplifiers |
| WBS-L – M497 : Summing Amplifiers |
| WBS-L – M497A : M497A – Dual Master Module |
| WBS-L – M498 : Selector – 8 Stereo |
| WBS-L – M498A : Selector – 10 Stereo |
| WBS-L – M499 : Selector – 12 Channel |
| WBS-L – M499 : Selector – 12 Channel |
| WBS-L – M520 : ST Series Microphone Pre-amp |
| WBS-L – M520A : ST Series – Microphone Pre-amp |
| WBS-L – M520A : ST Series – Microphone Pre-amp |
| WBS-L – M521A : ST Series – Stereo Line in |
| WBS-L – M522 : ST Series 3-Band EQ |
| WBS-L – M522A : ST Series 3-Band EQ |
| WBS-L – M522A : ST Series 3-Band EQ |
| WBS-L – M522A : ST Series 3-Band EQ |
| WBS-L – M523 : ST Series Sub Group |
| WBS-L – M525 : Monitor Controller |
| WBS-L – M527 : M527, MASTER MODULE |
| WBS-L – M528B : Dual Summing Amp |
| WBS-L – M529 : M529 – Communications Module |
| WBS-L – M529A : Communications Module and Tone Generator |
| WBS-L – M562C : Stereo 3-Band Equalizer |
| WBS-L – M562C : Stereo 3-Band Equalizer |
| WBS-L – M562C : Stereo 3-Band Equalizer |
| WBS-L – M604 : M604 – Dual Frequency Oscillator |
| WBS-L – M605A : Distribution Amplifier |
| WBS-L – M605A : Distribution Amplifier |
| WBS-L – M621 : 20 Watt Power Amplifier |
| WBS-L – M621 : 20 Watt Power Amplifier |
| WBS-L – M624 : 24 Volt Power Supply |
| WBS-L – M624 : 24 Volt Power Supply |
| WBS-L – M624 : 24 Volt Power Supply |
| WBS-L – M625B : 25V Audio Power Supply |
| WBS-L – M625B : 25V Audio Power Supply |
| WBS-L – M625B : 25V Audio Power Supply |
| WBS-L – M625B : 25V Audio Power Supply |
| WBS-L – M625B : 25V Audio Power Supply |
| WBS-L – M648 : 48V Phantom Power Supply |
| WBS-L – M648 : 48V Phantom Power Supply |
| WBS-L – M648 : 48V Phantom Power Supply |
| WBS-L – M701B : Intercom on ramp |
| WBS-L – M805 : Distribution Amplifier |
| WBS-L – M805 Rack : M805 Rack |
| WBS-L – M808 : Logic – Relay Board |
| WBS-L – M8200 : Remote Controlled Micpre-amp |
| WBS-L – M8202 : Digital to Analog Converter |
| WBS-L – M8204 : Distribution Amp |
| WBS-L – M8205 : Distribution Amplifier |
| WBS-L – M8205B : Distribution Amp |
| WBS-L – M8205B : Distribution Amp |
| WBS-L – M8205B : Distribution Amp |
| WBS-L – M8245 : 8200 series Power Supply |
| WBS-L – M8540 : Intercom Power Supply |
| WBS-L – MF10 : Rack Mount Module Tray |
| WBS-L – MISC INTERCOM : MISC INTERCOM |
| WBS-L – PAULINE : MP1, MP2,MP3,MP4 Meter Panels |
| WBS-L – Peggy Sue : Peggy Sue Mixing Console |
| WBS-L – PG 1550 : Penny and Giles 1550 |
| WBS-L – PG 1550 : Penny and Giles 1550 |
| WBS-L – PG 1550 : Penny and Giles 1550 |
| WBS-L – PG 1550 : Penny and Giles 1550 |
| WBS-L – PG 4520 ST : ST Series Penny and Giles 4520 Fader |
| WBS-L – PG 4520 ST : ST Series Penny and Giles 4520 Fader |
| WBS-L – PG 4520 ST-ereo : ST Series Penny and Giles 4520 Fader Stereo |
| WBS-L – R1400-870139 : R1400-14 Channel Radio Console |
| WBS-L – RACK – MF10 : RACK – MF10 – 10 Space Rack |
| WBS-L – RACK-FX Rack 1 : WBS-FX Rack 1 – Dynamics – EDAC 90 and XLR for Keys |
| WBS-L – RACK-FX Rack 2 : WBS-FX Rack 2 – Dynamics and Filter – EDAC 90 |
| WBS-L – RACK-FX Rack 3 : WBS-FX Rack 3 – Filters – EDAC 90 |
| WBS-L – RACK-Summing Rack : RACK-Summing Rack |
| APK – Rhonda : Rhonda |
| APK – RTO-214-NAB2015 : 2 X 14 Retro Module Rack |
| APK – RTO-47-NAB2015 : 4 X 7 Retro Module Rack |
| APK – RTO-47-The Hoser : 4 X 7 Retro Module Rack |
| WBS – ST12-10-3-F : ST series – 10′ – 1′ tail-Female – LINE IN |
| WBS – ST12-10-3-M : ST series – 10′ – 1′ tail-Female – DIRECT OUT |
| WBS – ST12-25-U : ST series – 20′ – USER TERMINATED |
| WBS – ST12-3-1-F : ST series – 3′ – 1′ tail-Female – INSERT |
| WBS – ST12-3-1-M : ST series – 3′ – 1′ tail-Male – INSERT |
| WBS – ST12-30-3-M : ST series – 30′ – 1′ tail-Female – MIC IN |
| APK – Stan : STan – 12 Channel ST series Console |
| STUDER – Studer-Phase : Analog Studer-Phase meter |
| – DBX – 911 – Noise Reduction |
| – DBX – 911 – Noise Reduction |
| – DBX – 911 – Noise Reduction |
| – SKOTEL – SKOTEL “Digital” Metronome |
| – – Cart Deck |
| – Alesis – Midiverb 2 |
| – Symetrix – A220 – 20 Watt amplifier |
| – Behringer – Behringer Edison – Stereo enhancer |
| – DOLBY – Dolby SDDU-4 – Surround sound decoder |
| – DOLBY – DOLBY SDEU-4 – Surround sound encoder |
| – Marantz – PDM 221 – portable field recorder |
| – Tascam – 122 Cassette Deck |
| – UREI – UREI METRONOME |
| – ADC – Digital Patchbay |
| – APK – EDAC breakout – RACK output |
| – DBX – 120XP Sub Harmonic Synth |
| – Clydsdale – Orange Case – Dutchie |
| – Digidesign – 003 Rack – missing pwr on button – discolored |
| – Studer – Telephone Hybrid |
| – Studer – Telephone Hybrid |
| – Tascam – 122MK2 – 3 head stereo cassette recorder |
| – BBE – BBE 702 (stereo Sonic Maximizer in 900 series) |
| – Altec – Altec Lansing Tube Mics 001 |
| – Altec – Altec Lansing Tube Mics 002 |
| – Altec – Altec Lansing Tube Mics 003 |
| – Altec – Altec Lansing Tube Mics 004 |
| – Altec – Altec Lansing Tube Mics 005 |
| – Altec – Altec Lansing Tube Mics 006 |
| – Altec – Altec Lansing Tube Mics 007 |
| – Altec – Altec Lansing Tube Mics 008 |
| – APK – EDAC breakout – XLR |
| – ASHLY – ASHLEY SC-68 notch filter |
| – BSS – DPR-402 – Compressor limiter / De-Esser |
| – BSS – DPR-402 – Compressor limiter / De-Esser |
| – MOGAMI – (24) Channel 25′ EDAC TO EDAC EXTENSION |
| – MOGAMI – (24) Channel 6′ EDAC TO EDAC EXTENSION |
| – MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 001 |
| – MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 002 |
| – MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 003 |
| – MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 004 |
| – MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 005 |
| – MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 006 |
| – MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 007 |
| – Shure – Shure SM81 |
| – Yamaha – YAMAHA PB-1 |
| – Yamaha – Yamaha SPX900 Reverb |
| – AKG – AKG – H99 – Harry – BINAURAL Stereo Microphone |
| – APK – EDAC breakout – TRS |
| – DELTA LABS – EFFECTRON II ADM1024 |
| – Tascam – 122MK2 – 3 head stereo cassette recorder |
| – LEXICON – PCM41 |
| – New Frontiers – DSP-2110-EX S – signal Analyzer |
| – AUDIO ACCESSORIES – 2RU – 96 point – TT Patchbays – EDAC 56 |
| – SELA – 2880-6F ( field mixing console) |
| – SPL – Vitalizer ( Classic grey faced) |
| – TC ELECTRONICS – TC Electronics – FireworX |
| – TC ELECTRONICS – FINALIZER PLUS |
| – DBX – DBX 900 – Rack – Wired to EDAC with EDAC snake |
| – APK – TT Patchbays – EDAC 90 – CUSTOM |
| – APK – TT Patchbays – EDAC 90 – CUSTOM |
| – APK – TT Patchbays – EDAC 90 – CUSTOM |
| – APK – TT Patchbays – EDAC 90 – CUSTOM |
| – Alesis – Alesis HD24 – 24 Track – with Hard case and mogami snakes |
Will it fit? – 3 Roadcases in a VW golf
Here’s to Moms and all the things they put up with!
Ward-Beck – D/A-DA – (24) Ch AESDigital to (120) +4dB Analog
Shipping an AMPEX ATR-102
Done another semester… a review.
“Connected up” – “Don’t Expect an Exemption to be there in two minutes”

I swear surmesur uses facial recognition software…

First half of a semester pencil use.
To the guy who bought that CD player a few years back I FOUND IT!
“ZA DUMPING RATIO”
It’s three rows deep

The Pencil Bump

The BIGVUMETERS!!!!
Good guy with Accessible sicker. Didn’t take advantage of it.

This was a whole car covered in a decal

“The Eskimo Express”

That easy huh…

This had my attention
The refrigeration course at school…


Retirement
The ENTIRE funk and Wangles… I’ve only seen A and B!

Keaton Music Typewriter
On Compressing the English Language
Someone picked my brain the other day looking for a technique to compress language files.
After walking away to think about it… my method was to re-order the ASCII code to the letters by their frequency and the most common words by their frequency.
Where lowercase e is stored as an ASCII value using 1 byte
ASCII e = 0x61 = 0b1100001 = 7 bits
vs
APK e = 0x1 = 1 bit
… this method stores an E in 1 bit. This is similar to the Huffman Code with the addition of whole words being included in the code.
For example:
“because” is the 94th most used word in the english language and in this method is stored in 7 bits.
I don’t know if this has been done before… but I would imagine it could compress Language files substantially.
I have thought about a third addition of using the most used 2 or three letter combinations commonly used.
| APK ORDER | APK | LET FREQ | WORD FEQ | APK BIN | APK HEX | APK BITS USED |
| 0 | space | 0 | 0 | 1 | ||
| 1 | e | 12.70% | 1 | 1 | 1 | |
| 2 | t | 9.06% | 10 | 2 | 2 | |
| 3 | a | 8.17% | 11 | 3 | 2 | |
| 4 | o | 7.51% | 100 | 4 | 3 | |
| 5 | i | 6.97% | 101 | 5 | 3 | |
| 6 | n | 6.75% | 110 | 6 | 3 | |
| 7 | s | 6.33% | 111 | 7 | 3 | |
| 8 | h | 6.09% | 1000 | 8 | 4 | |
| 9 | r | 5.99% | 1001 | 9 | 4 | |
| 10 | d | 4.25% | 1010 | A | 4 | |
| 11 | l | 4.03% | 1011 | B | 4 | |
| 12 | c | 2.78% | 1100 | C | 4 | |
| 13 | u | 2.76% | 1101 | D | 4 | |
| 14 | m | 2.41% | 1110 | E | 4 | |
| 15 | w | 2.36% | 1111 | F | 4 | |
| 16 | f | 2.23% | 10000 | 10 | 5 | |
| 17 | g | 2.02% | 10001 | 11 | 5 | |
| 18 | y | 1.97% | 10010 | 12 | 5 | |
| 19 | p | 1.93% | 10011 | 13 | 5 | |
| 20 | b | 1.49% | 10100 | 14 | 5 | |
| 21 | v | 0.98% | 10101 | 15 | 5 | |
| 22 | k | 0.77% | 10110 | 16 | 5 | |
| 23 | j | 0.15% | 10111 | 17 | 5 | |
| 24 | x | 0.15% | 11000 | 18 | 5 | |
| 25 | q | 0.10% | 11001 | 19 | 5 | |
| 26 | z | 0.07% | 11010 | 1A | 5 | |
| 27 | the | 1 | 11011 | 1B | 5 | |
| 28 | be | 2 | 11100 | 1C | 5 | |
| 29 | to | 3 | 11101 | 1D | 5 | |
| 30 | of | 4 | 11110 | 1E | 5 | |
| 31 | and | 5 | 11111 | 1F | 5 | |
| 32 | a | 6 | 100000 | 20 | 6 | |
| 33 | in | 7 | 100001 | 21 | 6 | |
| 34 | that | 8 | 100010 | 22 | 6 | |
| 35 | have | 9 | 100011 | 23 | 6 | |
| 36 | I | 10 | 100100 | 24 | 6 | |
| 37 | it | 11 | 100101 | 25 | 6 | |
| 38 | for | 12 | 100110 | 26 | 6 | |
| 39 | not | 13 | 100111 | 27 | 6 | |
| 40 | on | 14 | 101000 | 28 | 6 | |
| 41 | with | 15 | 101001 | 29 | 6 | |
| 42 | he | 16 | 101010 | 2A | 6 | |
| 43 | as | 17 | 101011 | 2B | 6 | |
| 44 | you | 18 | 101100 | 2C | 6 | |
| 45 | do | 19 | 101101 | 2D | 6 | |
| 46 | at | 20 | 101110 | 2E | 6 | |
| 47 | this | 21 | 101111 | 2F | 6 | |
| 48 | but | 22 | 110000 | 30 | 6 | |
| 49 | his | 23 | 110001 | 31 | 6 | |
| 50 | by | 24 | 110010 | 32 | 6 | |
| 51 | from | 25 | 110011 | 33 | 6 | |
| 52 | they | 26 | 110100 | 34 | 6 | |
| 53 | we | 27 | 110101 | 35 | 6 | |
| 54 | say | 28 | 110110 | 36 | 6 | |
| 55 | her | 29 | 110111 | 37 | 6 | |
| 56 | she | 30 | 111000 | 38 | 6 | |
| 57 | or | 31 | 111001 | 39 | 6 | |
| 58 | an | 32 | 111010 | 3A | 6 | |
| 59 | will | 33 | 111011 | 3B | 6 | |
| 60 | my | 34 | 111100 | 3C | 6 | |
| 61 | one | 35 | 111101 | 3D | 6 | |
| 62 | all | 36 | 111110 | 3E | 6 | |
| 63 | would | 37 | 111111 | 3F | 6 | |
| 64 | there | 38 | 1000000 | 40 | 7 | |
| 65 | their | 39 | 1000001 | 41 | 7 | |
| 66 | what | 40 | 1000010 | 42 | 7 | |
| 67 | so | 41 | 1000011 | 43 | 7 | |
| 68 | up | 42 | 1000100 | 44 | 7 | |
| 69 | out | 43 | 1000101 | 45 | 7 | |
| 70 | if | 44 | 1000110 | 46 | 7 | |
| 71 | about | 45 | 1000111 | 47 | 7 | |
| 72 | who | 46 | 1001000 | 48 | 7 | |
| 73 | get | 47 | 1001001 | 49 | 7 | |
| 74 | which | 48 | 1001010 | 4A | 7 | |
| 75 | go | 49 | 1001011 | 4B | 7 | |
| 76 | me | 50 | 1001100 | 4C | 7 | |
| 77 | when | 51 | 1001101 | 4D | 7 | |
| 78 | make | 52 | 1001110 | 4E | 7 | |
| 79 | can | 53 | 1001111 | 4F | 7 | |
| 80 | like | 54 | 1010000 | 50 | 7 | |
| 81 | time | 55 | 1010001 | 51 | 7 | |
| 82 | no | 56 | 1010010 | 52 | 7 | |
| 83 | just | 57 | 1010011 | 53 | 7 | |
| 84 | him | 58 | 1010100 | 54 | 7 | |
| 85 | know | 59 | 1010101 | 55 | 7 | |
| 86 | take | 60 | 1010110 | 56 | 7 | |
| 87 | people | 61 | 1010111 | 57 | 7 | |
| 88 | into | 62 | 1011000 | 58 | 7 | |
| 89 | year | 63 | 1011001 | 59 | 7 | |
| 90 | your | 64 | 1011010 | 5A | 7 | |
| 91 | good | 65 | 1011011 | 5B | 7 | |
| 92 | some | 66 | 1011100 | 5C | 7 | |
| 93 | could | 67 | 1011101 | 5D | 7 | |
| 94 | them | 68 | 1011110 | 5E | 7 | |
| 95 | see | 69 | 1011111 | 5F | 7 | |
| 96 | other | 70 | 1100000 | 60 | 7 | |
| 97 | than | 71 | 1100001 | 61 | 7 | |
| 98 | then | 72 | 1100010 | 62 | 7 | |
| 99 | now | 73 | 1100011 | 63 | 7 | |
| 100 | look | 74 | 1100100 | 64 | 7 | |
| 101 | only | 75 | 1100101 | 65 | 7 | |
| 102 | come | 76 | 1100110 | 66 | 7 | |
| 103 | its | 77 | 1100111 | 67 | 7 | |
| 104 | over | 78 | 1101000 | 68 | 7 | |
| 105 | think | 79 | 1101001 | 69 | 7 | |
| 106 | also | 80 | 1101010 | 6A | 7 | |
| 107 | back | 81 | 1101011 | 6B | 7 | |
| 108 | after | 82 | 1101100 | 6C | 7 | |
| 109 | use | 83 | 1101101 | 6D | 7 | |
| 110 | two | 84 | 1101110 | 6E | 7 | |
| 111 | how | 85 | 1101111 | 6F | 7 | |
| 112 | our | 86 | 1110000 | 70 | 7 | |
| 113 | work | 87 | 1110001 | 71 | 7 | |
| 114 | first | 88 | 1110010 | 72 | 7 | |
| 115 | well | 89 | 1110011 | 73 | 7 | |
| 116 | way | 90 | 1110100 | 74 | 7 | |
| 117 | even | 91 | 1110101 | 75 | 7 | |
| 118 | new | 92 | 1110110 | 76 | 7 | |
| 119 | want | 93 | 1110111 | 77 | 7 | |
| 120 | because | 94 | 1111000 | 78 | 7 | |
| 121 | any | 95 | 1111001 | 79 | 7 | |
| 122 | these | 96 | 1111010 | 7A | 7 | |
| 123 | give | 97 | 1111011 | 7B | 7 | |
| 124 | day | 98 | 1111100 | 7C | 7 | |
| 125 | most | 99 | 1111101 | 7D | 7 | |
| 126 | use | 100 | 1111110 | 7E | 7 |




































































































