Category Archives: Headphones
Sony MX-12
Spring Cleaning – leads to…
Summer sale!
Cleaning out the shop… more to follow
WBS-L – 10-060 : PPM Meter Driver |
WBS-L – 14-260 : Mic-Preamp and HP Filter |
WBS-L – 4-109 : Amplifier Card |
WBS-L – 8-109 : Amplifier Card |
WBS-L – 8200 Rack 1 : 8200 Rack 1 |
WBS-L – 8200 Rack 2 : 8200 Rack 2 |
WBS-L – 8200 Rack 3 : 8200 Rack 3 – Front Room |
WBS-L – 8200 Rack 4 : 8200 Rack 4 – Front Room |
WBS-L – 8200 Rack 5 : 8200 Rack 5 – Front Room |
WBS-L – 970029-1 : 12 Fader remote modules |
WBS-L – ADC-48 : 48 Point Patchbay to EDAC90 |
WBS-L – Antoinette : Antoinette |
WBS-L – Bryston 4B : Power Amplifier |
WBS-L – BS – BIG PPM : Bach and Simpson – Large WBS PPM meter |
WBS-L – BS – BIG VU : Bach and Simpson – Large WBS VU meter |
WBS-L – BS – BIG VU – 400 : Bach and Simpson – Large WBS VU meter |
WBS-L – BS – SMALL PPM : Bach and Simpson – Small WBS PPM meter |
WBS-L – BS – SMALL VU : Bach and Simpson – Small WBS VU meter |
WBS-L – BS – SMALL VU : Bach and Simpson – Small WBS VU meter |
WBS-L – COUNTER : Timer |
WBS-L – DMM12 : Tannoy DMM12 Speaker |
WBS-L – M124 : Universal Audio Amplifier |
WBS-L – M166 : Summing – Summing amplifier |
WBS-L – M174 : Intercom Cross Point |
WBS-L – M201 : M201 Relay Module |
WBS-L – M201 : M201 Relay Module |
WBS-L – M201D : M201 Relay Module |
WBS-L – M202 : M202 – Logic Latch Relay Module |
WBS-L – M202 : M202 – Logic Latch Relay Module |
WBS-L – M207 : Phantom Power 24V to 48 V |
WBS-L – M207 : Phantom Power 24V to 48 V |
WBS-L – M207 : Phantom Power 24V to 48 V |
WBS-L – M24A : Broadcast Multi-Track Console |
WBS-L – M401 : Stereo Noise Suppressor |
WBS-L – M402B : M402B – Equalizer |
WBS-L – M404A : Passive HP Low Pass filter |
WBS-L – M406B : Compressor / Limiter / De-Esser |
WBS-L – M441M : Line input and Microphone pre-amp |
WBS-L – M450 : Universal Amplifier |
WBS-L – M450B : Universal Audio Amplifier |
WBS-L – M450B : Universal Audio Amplifier |
WBS-L – M451 : Talkback Conrtole and Dual Microphone Pre-amps |
WBS-L – M452 : Tone Generator |
WBS-L – M453A : Cue Speaker Amplifier |
WBS-L – M453A : Cue Speaker Amplifier |
WBS-L – M453A : Cue Speaker Amplifier |
WBS-L – M453A : Cue Speaker Amplifier |
WBS-L – M455 : Reverb Return Module |
WBS-L – M457 : 4 Channel Sub Mixer |
WBS-L – M458 : Peak Detector |
WBS-L – M461 : Microphone and line Pre-amp |
WBS-L – M461 : Microphone and line Pre-amp |
WBS-L – M461 : Microphone and line Pre-amp |
WBS-L – M461M : Microphone and line Pre-amp |
WBS-L – M462 : 3-Band Equalizer – Full Parametric |
WBS-L – M462 : 3-Band Equalizer – Full Parametric |
WBS-L – M462 : 3-Band Equalizer – Full Parametric |
WBS-L – M462A : 3-Band Equalizer – Mid Sweep |
WBS-L – M462A : 3-Band Equalizer – Mid Sweep |
WBS-L – M462A : 3-Band Equalizer – Mid Sweep |
WBS-L – M462A : 3-Band Equalizer – Mid Sweep |
WBS-L – M462A : 3-Band Equalizer – Mid Sweep |
WBS-L – M462B : 4-Band Equalizer – Full Parametric |
WBS-L – M462B : 4-Band Equalizer – Full Parametric |
WBS-L – M462B : 4-Band Equalizer – Full Parametric |
WBS-L – M463B : M463AB – Submaster Module |
WBS-L – M463M : Summing – Sub Group |
WBS-L – M464 : High Pass / Low Pass Filter |
WBS-L – M464 : High Pass / Low Pass Filter |
WBS-L – M464 : High Pass / Low Pass Filter |
WBS-L – M466 : Compressor / Limiter / De-Esser |
WBS-L – M466 : Compressor / Limiter / De-Esser |
WBS-L – M466 : Compressor / Limiter / De-Esser |
WBS-L – M466 : Compressor / Limiter / De-Esser |
WBS-L – M466M : M466M Meter Module |
WBS-L – M467 : VU Meter – Comp tie – Noise Gate |
WBS-L – M467 : VU Meter – Comp tie – Noise Gate |
WBS-L – M467 : VU Meter – Comp tie – Noise Gate |
WBS-L – M467K : VU Meter – Comp tie – Noise Gate with Key |
WBS-L – M467K : VU Meter – Comp tie – Noise Gate with Key |
WBS-L – M468V : Reverb Return Module |
WBS-L – M469C : M1204 Routing module |
WBS-L – M470A : Microphone and line Pre-amp |
WBS-L – M470A : Microphone and line Pre-amp |
WBS-L – M470C : Microphone and line Pre-amp |
WBS-L – M470D : Microphone and line Pre-amp |
WBS-L – M471 : Stereo Input |
WBS-L – M471A : Stereo Input |
WBS-L – M472 : 3 Band Equalizer |
WBS-L – M473A : Summing – sub Group |
WBS-L – M473A : Summing – sub Group |
WBS-L – M475 : Monitor – Stereo speaker monitor |
WBS-L – M477 : Summing – Master Summing |
WBS-L – M479 : Summing – Aux |
WBS-L – M479 : Summing – Aux |
WBS-L – M487 : Dual Master Module |
WBS-L – M490A : Microphone Pre-amp |
WBS-L – M490C : Mono line in – Via Transformer |
WBS-L – M490E : Stereo Input Module |
WBS-L – M490E : Stereo Input Module |
WBS-L – M490E : Stereo Input Module |
WBS-L – M490F : Stereo Input Module with Aux routing |
WBS-L – M495 : Stereo Monitor Module |
WBS-L – M495 : Stereo Monitor Module |
WBS-L – M497 : Summing Amplifiers |
WBS-L – M497 : Summing Amplifiers |
WBS-L – M497 : Summing Amplifiers |
WBS-L – M497A : M497A – Dual Master Module |
WBS-L – M498 : Selector – 8 Stereo |
WBS-L – M498A : Selector – 10 Stereo |
WBS-L – M499 : Selector – 12 Channel |
WBS-L – M499 : Selector – 12 Channel |
WBS-L – M520 : ST Series Microphone Pre-amp |
WBS-L – M520A : ST Series – Microphone Pre-amp |
WBS-L – M520A : ST Series – Microphone Pre-amp |
WBS-L – M521A : ST Series – Stereo Line in |
WBS-L – M522 : ST Series 3-Band EQ |
WBS-L – M522A : ST Series 3-Band EQ |
WBS-L – M522A : ST Series 3-Band EQ |
WBS-L – M522A : ST Series 3-Band EQ |
WBS-L – M523 : ST Series Sub Group |
WBS-L – M525 : Monitor Controller |
WBS-L – M527 : M527, MASTER MODULE |
WBS-L – M528B : Dual Summing Amp |
WBS-L – M529 : M529 – Communications Module |
WBS-L – M529A : Communications Module and Tone Generator |
WBS-L – M562C : Stereo 3-Band Equalizer |
WBS-L – M562C : Stereo 3-Band Equalizer |
WBS-L – M562C : Stereo 3-Band Equalizer |
WBS-L – M604 : M604 – Dual Frequency Oscillator |
WBS-L – M605A : Distribution Amplifier |
WBS-L – M605A : Distribution Amplifier |
WBS-L – M621 : 20 Watt Power Amplifier |
WBS-L – M621 : 20 Watt Power Amplifier |
WBS-L – M624 : 24 Volt Power Supply |
WBS-L – M624 : 24 Volt Power Supply |
WBS-L – M624 : 24 Volt Power Supply |
WBS-L – M625B : 25V Audio Power Supply |
WBS-L – M625B : 25V Audio Power Supply |
WBS-L – M625B : 25V Audio Power Supply |
WBS-L – M625B : 25V Audio Power Supply |
WBS-L – M625B : 25V Audio Power Supply |
WBS-L – M648 : 48V Phantom Power Supply |
WBS-L – M648 : 48V Phantom Power Supply |
WBS-L – M648 : 48V Phantom Power Supply |
WBS-L – M701B : Intercom on ramp |
WBS-L – M805 : Distribution Amplifier |
WBS-L – M805 Rack : M805 Rack |
WBS-L – M808 : Logic – Relay Board |
WBS-L – M8200 : Remote Controlled Micpre-amp |
WBS-L – M8202 : Digital to Analog Converter |
WBS-L – M8204 : Distribution Amp |
WBS-L – M8205 : Distribution Amplifier |
WBS-L – M8205B : Distribution Amp |
WBS-L – M8205B : Distribution Amp |
WBS-L – M8205B : Distribution Amp |
WBS-L – M8245 : 8200 series Power Supply |
WBS-L – M8540 : Intercom Power Supply |
WBS-L – MF10 : Rack Mount Module Tray |
WBS-L – MISC INTERCOM : MISC INTERCOM |
WBS-L – PAULINE : MP1, MP2,MP3,MP4 Meter Panels |
WBS-L – Peggy Sue : Peggy Sue Mixing Console |
WBS-L – PG 1550 : Penny and Giles 1550 |
WBS-L – PG 1550 : Penny and Giles 1550 |
WBS-L – PG 1550 : Penny and Giles 1550 |
WBS-L – PG 1550 : Penny and Giles 1550 |
WBS-L – PG 4520 ST : ST Series Penny and Giles 4520 Fader |
WBS-L – PG 4520 ST : ST Series Penny and Giles 4520 Fader |
WBS-L – PG 4520 ST-ereo : ST Series Penny and Giles 4520 Fader Stereo |
WBS-L – R1400-870139 : R1400-14 Channel Radio Console |
WBS-L – RACK – MF10 : RACK – MF10 – 10 Space Rack |
WBS-L – RACK-FX Rack 1 : WBS-FX Rack 1 – Dynamics – EDAC 90 and XLR for Keys |
WBS-L – RACK-FX Rack 2 : WBS-FX Rack 2 – Dynamics and Filter – EDAC 90 |
WBS-L – RACK-FX Rack 3 : WBS-FX Rack 3 – Filters – EDAC 90 |
WBS-L – RACK-Summing Rack : RACK-Summing Rack |
APK – Rhonda : Rhonda |
APK – RTO-214-NAB2015 : 2 X 14 Retro Module Rack |
APK – RTO-47-NAB2015 : 4 X 7 Retro Module Rack |
APK – RTO-47-The Hoser : 4 X 7 Retro Module Rack |
WBS – ST12-10-3-F : ST series – 10′ – 1′ tail-Female – LINE IN |
WBS – ST12-10-3-M : ST series – 10′ – 1′ tail-Female – DIRECT OUT |
WBS – ST12-25-U : ST series – 20′ – USER TERMINATED |
WBS – ST12-3-1-F : ST series – 3′ – 1′ tail-Female – INSERT |
WBS – ST12-3-1-M : ST series – 3′ – 1′ tail-Male – INSERT |
WBS – ST12-30-3-M : ST series – 30′ – 1′ tail-Female – MIC IN |
APK – Stan : STan – 12 Channel ST series Console |
STUDER – Studer-Phase : Analog Studer-Phase meter |
– DBX – 911 – Noise Reduction |
– DBX – 911 – Noise Reduction |
– DBX – 911 – Noise Reduction |
– SKOTEL – SKOTEL “Digital” Metronome |
– – Cart Deck |
– Alesis – Midiverb 2 |
– Symetrix – A220 – 20 Watt amplifier |
– Behringer – Behringer Edison – Stereo enhancer |
– DOLBY – Dolby SDDU-4 – Surround sound decoder |
– DOLBY – DOLBY SDEU-4 – Surround sound encoder |
– Marantz – PDM 221 – portable field recorder |
– Tascam – 122 Cassette Deck |
– UREI – UREI METRONOME |
– ADC – Digital Patchbay |
– APK – EDAC breakout – RACK output |
– DBX – 120XP Sub Harmonic Synth |
– Clydsdale – Orange Case – Dutchie |
– Digidesign – 003 Rack – missing pwr on button – discolored |
– Studer – Telephone Hybrid |
– Studer – Telephone Hybrid |
– Tascam – 122MK2 – 3 head stereo cassette recorder |
– BBE – BBE 702 (stereo Sonic Maximizer in 900 series) |
– Altec – Altec Lansing Tube Mics 001 |
– Altec – Altec Lansing Tube Mics 002 |
– Altec – Altec Lansing Tube Mics 003 |
– Altec – Altec Lansing Tube Mics 004 |
– Altec – Altec Lansing Tube Mics 005 |
– Altec – Altec Lansing Tube Mics 006 |
– Altec – Altec Lansing Tube Mics 007 |
– Altec – Altec Lansing Tube Mics 008 |
– APK – EDAC breakout – XLR |
– ASHLY – ASHLEY SC-68 notch filter |
– BSS – DPR-402 – Compressor limiter / De-Esser |
– BSS – DPR-402 – Compressor limiter / De-Esser |
– MOGAMI – (24) Channel 25′ EDAC TO EDAC EXTENSION |
– MOGAMI – (24) Channel 6′ EDAC TO EDAC EXTENSION |
– MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 001 |
– MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 002 |
– MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 003 |
– MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 004 |
– MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 005 |
– MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 006 |
– MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 007 |
– Shure – Shure SM81 |
– Yamaha – YAMAHA PB-1 |
– Yamaha – Yamaha SPX900 Reverb |
– AKG – AKG – H99 – Harry – BINAURAL Stereo Microphone |
– APK – EDAC breakout – TRS |
– DELTA LABS – EFFECTRON II ADM1024 |
– Tascam – 122MK2 – 3 head stereo cassette recorder |
– LEXICON – PCM41 |
– New Frontiers – DSP-2110-EX S – signal Analyzer |
– AUDIO ACCESSORIES – 2RU – 96 point – TT Patchbays – EDAC 56 |
– SELA – 2880-6F ( field mixing console) |
– SPL – Vitalizer ( Classic grey faced) |
– TC ELECTRONICS – TC Electronics – FireworX |
– TC ELECTRONICS – FINALIZER PLUS |
– DBX – DBX 900 – Rack – Wired to EDAC with EDAC snake |
– APK – TT Patchbays – EDAC 90 – CUSTOM |
– APK – TT Patchbays – EDAC 90 – CUSTOM |
– APK – TT Patchbays – EDAC 90 – CUSTOM |
– APK – TT Patchbays – EDAC 90 – CUSTOM |
– Alesis – Alesis HD24 – 24 Track – with Hard case and mogami snakes |
Will it fit? – 3 Roadcases in a VW golf
Got to see a trafic control
I was over at Ward-Beck the other week and saw some really nice turrets coming off the line. Hand Made, versatile and robust.
Just what you like to see in something that’s going to have the crap kicked out of it by announcers and A2s.
this one is “en francais” – j’aimme le Talké / Backé button
Kevin was mentioning an updated version of this box…
There was also a R257-1 out with a built in 8 source router.
Mixing Surround Sound in headphones…
there is a demo below… check it out in cans
The Spatial Sound Card App is a software based, virtual sound card. It provides speakers for stereo and surround monitoring for the computer with standard headphones.
Professional monitoring of audio content usually requires complex, high-quality speaker installations, for which both budget and space are needed. The Spatial Sound Card enables monitoring of stereo and surround up to 7.1 with a standard headphone on the computer.
The Spatial Sound Card is a virtual sound card that is inserted between software, operating system and audio hardware. The room virtualizations originate from a constantly growing number of high end studios and dub stages like the ARRI Stage One, MSM Munich and others. The technology used in the SSC was used on major Blu-Ray releases (e.g. The Expendables I and II).
To optimize the virtualization the SSC provides parameters to customize the frequency curve of the used headphones. Presets for a lot of well-known headphone models are included, more will follow soon.
The Spatial Sound Card works with all applications that support multichannel audio output. These include media players like VLC and FLAC-Player as well as video and audio workstations. The SSC is recommended for media professionals from the audio, video or games area as well as for agencies and companies with workstations that need high quality audio monitoring.
For now the Spatial Sound Card runs on MacOS 10.6.x and above, a version for Windows will come within the third quarter of this year.