Category Archives: Cable
Custom made 64 point wide patch bay
OLYMPUS DIGITAL CAMERA
OLYMPUS DIGITAL CAMERA
OLYMPUS DIGITAL CAMERA
OLYMPUS DIGITAL CAMERA
OLYMPUS DIGITAL CAMERA
Engraving xlrs on Gorton p1-2
3M ribbon cable press and flat cable cutters
The PIN 2, 5, 8, 11, 16, 19, 22, 25 Problem
SC-05-05 – What is a balanced transmitter?
Analog out… that means… what….?
AES – SC-05-05 – X-152 – Call for participation
http://www.aes.org/standards/blog/2020/3/new-project-x152
The goal / target / deliverable is a template that manufacturers could include in their manuals that explain the characteristics of the signals leaving devices and the characteristics of signals a device is capable of receiving. Having these parameters summarized in a consistent way will help users integrate equipment.
AES STANDARDS: SC-05-05
Working Group on Grounding and EMC Practices
Group Scope: The scope of the SC-05-05 Working Group on Grounding and Electromagnetic Compatibility Practices shall include, within the bounds of the scope of SC-05, all practices affecting usage and performance of audio hardware, with respect to the susceptibility of the signals it carries to effects such as noise and cross-talk due to the manner of its connection and construction, and the effects of its signals on other hardware and systems in its vicinity. It shall not set standards for personal safety with regard to such connections and construction but shall keep safety considerations in mind in its recommendations.
Old school grounding
Generating Code with spreadsheet for Keyboard Assignments of CADSOFT Eagle
I needed a way of Generating Code, lots of code. In cadsoft eagle, the Keyboard Assignments are completely user customizable. They have a script language that allows you to modify the software. I’ve used hundreds of the ULP and SCRs and decided to write my own Generator.
Necessity is the mother of all innovation. 
Spring Cleaning – leads to…
Summer sale!
Cleaning out the shop… more to follow
| WBS-L – 10-060 : PPM Meter Driver |
| WBS-L – 14-260 : Mic-Preamp and HP Filter |
| WBS-L – 4-109 : Amplifier Card |
| WBS-L – 8-109 : Amplifier Card |
| WBS-L – 8200 Rack 1 : 8200 Rack 1 |
| WBS-L – 8200 Rack 2 : 8200 Rack 2 |
| WBS-L – 8200 Rack 3 : 8200 Rack 3 – Front Room |
| WBS-L – 8200 Rack 4 : 8200 Rack 4 – Front Room |
| WBS-L – 8200 Rack 5 : 8200 Rack 5 – Front Room |
| WBS-L – 970029-1 : 12 Fader remote modules |
| WBS-L – ADC-48 : 48 Point Patchbay to EDAC90 |
| WBS-L – Antoinette : Antoinette |
| WBS-L – Bryston 4B : Power Amplifier |
| WBS-L – BS – BIG PPM : Bach and Simpson – Large WBS PPM meter |
| WBS-L – BS – BIG VU : Bach and Simpson – Large WBS VU meter |
| WBS-L – BS – BIG VU – 400 : Bach and Simpson – Large WBS VU meter |
| WBS-L – BS – SMALL PPM : Bach and Simpson – Small WBS PPM meter |
| WBS-L – BS – SMALL VU : Bach and Simpson – Small WBS VU meter |
| WBS-L – BS – SMALL VU : Bach and Simpson – Small WBS VU meter |
| WBS-L – COUNTER : Timer |
| WBS-L – DMM12 : Tannoy DMM12 Speaker |
| WBS-L – M124 : Universal Audio Amplifier |
| WBS-L – M166 : Summing – Summing amplifier |
| WBS-L – M174 : Intercom Cross Point |
| WBS-L – M201 : M201 Relay Module |
| WBS-L – M201 : M201 Relay Module |
| WBS-L – M201D : M201 Relay Module |
| WBS-L – M202 : M202 – Logic Latch Relay Module |
| WBS-L – M202 : M202 – Logic Latch Relay Module |
| WBS-L – M207 : Phantom Power 24V to 48 V |
| WBS-L – M207 : Phantom Power 24V to 48 V |
| WBS-L – M207 : Phantom Power 24V to 48 V |
| WBS-L – M24A : Broadcast Multi-Track Console |
| WBS-L – M401 : Stereo Noise Suppressor |
| WBS-L – M402B : M402B – Equalizer |
| WBS-L – M404A : Passive HP Low Pass filter |
| WBS-L – M406B : Compressor / Limiter / De-Esser |
| WBS-L – M441M : Line input and Microphone pre-amp |
| WBS-L – M450 : Universal Amplifier |
| WBS-L – M450B : Universal Audio Amplifier |
| WBS-L – M450B : Universal Audio Amplifier |
| WBS-L – M451 : Talkback Conrtole and Dual Microphone Pre-amps |
| WBS-L – M452 : Tone Generator |
| WBS-L – M453A : Cue Speaker Amplifier |
| WBS-L – M453A : Cue Speaker Amplifier |
| WBS-L – M453A : Cue Speaker Amplifier |
| WBS-L – M453A : Cue Speaker Amplifier |
| WBS-L – M455 : Reverb Return Module |
| WBS-L – M457 : 4 Channel Sub Mixer |
| WBS-L – M458 : Peak Detector |
| WBS-L – M461 : Microphone and line Pre-amp |
| WBS-L – M461 : Microphone and line Pre-amp |
| WBS-L – M461 : Microphone and line Pre-amp |
| WBS-L – M461M : Microphone and line Pre-amp |
| WBS-L – M462 : 3-Band Equalizer – Full Parametric |
| WBS-L – M462 : 3-Band Equalizer – Full Parametric |
| WBS-L – M462 : 3-Band Equalizer – Full Parametric |
| WBS-L – M462A : 3-Band Equalizer – Mid Sweep |
| WBS-L – M462A : 3-Band Equalizer – Mid Sweep |
| WBS-L – M462A : 3-Band Equalizer – Mid Sweep |
| WBS-L – M462A : 3-Band Equalizer – Mid Sweep |
| WBS-L – M462A : 3-Band Equalizer – Mid Sweep |
| WBS-L – M462B : 4-Band Equalizer – Full Parametric |
| WBS-L – M462B : 4-Band Equalizer – Full Parametric |
| WBS-L – M462B : 4-Band Equalizer – Full Parametric |
| WBS-L – M463B : M463AB – Submaster Module |
| WBS-L – M463M : Summing – Sub Group |
| WBS-L – M464 : High Pass / Low Pass Filter |
| WBS-L – M464 : High Pass / Low Pass Filter |
| WBS-L – M464 : High Pass / Low Pass Filter |
| WBS-L – M466 : Compressor / Limiter / De-Esser |
| WBS-L – M466 : Compressor / Limiter / De-Esser |
| WBS-L – M466 : Compressor / Limiter / De-Esser |
| WBS-L – M466 : Compressor / Limiter / De-Esser |
| WBS-L – M466M : M466M Meter Module |
| WBS-L – M467 : VU Meter – Comp tie – Noise Gate |
| WBS-L – M467 : VU Meter – Comp tie – Noise Gate |
| WBS-L – M467 : VU Meter – Comp tie – Noise Gate |
| WBS-L – M467K : VU Meter – Comp tie – Noise Gate with Key |
| WBS-L – M467K : VU Meter – Comp tie – Noise Gate with Key |
| WBS-L – M468V : Reverb Return Module |
| WBS-L – M469C : M1204 Routing module |
| WBS-L – M470A : Microphone and line Pre-amp |
| WBS-L – M470A : Microphone and line Pre-amp |
| WBS-L – M470C : Microphone and line Pre-amp |
| WBS-L – M470D : Microphone and line Pre-amp |
| WBS-L – M471 : Stereo Input |
| WBS-L – M471A : Stereo Input |
| WBS-L – M472 : 3 Band Equalizer |
| WBS-L – M473A : Summing – sub Group |
| WBS-L – M473A : Summing – sub Group |
| WBS-L – M475 : Monitor – Stereo speaker monitor |
| WBS-L – M477 : Summing – Master Summing |
| WBS-L – M479 : Summing – Aux |
| WBS-L – M479 : Summing – Aux |
| WBS-L – M487 : Dual Master Module |
| WBS-L – M490A : Microphone Pre-amp |
| WBS-L – M490C : Mono line in – Via Transformer |
| WBS-L – M490E : Stereo Input Module |
| WBS-L – M490E : Stereo Input Module |
| WBS-L – M490E : Stereo Input Module |
| WBS-L – M490F : Stereo Input Module with Aux routing |
| WBS-L – M495 : Stereo Monitor Module |
| WBS-L – M495 : Stereo Monitor Module |
| WBS-L – M497 : Summing Amplifiers |
| WBS-L – M497 : Summing Amplifiers |
| WBS-L – M497 : Summing Amplifiers |
| WBS-L – M497A : M497A – Dual Master Module |
| WBS-L – M498 : Selector – 8 Stereo |
| WBS-L – M498A : Selector – 10 Stereo |
| WBS-L – M499 : Selector – 12 Channel |
| WBS-L – M499 : Selector – 12 Channel |
| WBS-L – M520 : ST Series Microphone Pre-amp |
| WBS-L – M520A : ST Series – Microphone Pre-amp |
| WBS-L – M520A : ST Series – Microphone Pre-amp |
| WBS-L – M521A : ST Series – Stereo Line in |
| WBS-L – M522 : ST Series 3-Band EQ |
| WBS-L – M522A : ST Series 3-Band EQ |
| WBS-L – M522A : ST Series 3-Band EQ |
| WBS-L – M522A : ST Series 3-Band EQ |
| WBS-L – M523 : ST Series Sub Group |
| WBS-L – M525 : Monitor Controller |
| WBS-L – M527 : M527, MASTER MODULE |
| WBS-L – M528B : Dual Summing Amp |
| WBS-L – M529 : M529 – Communications Module |
| WBS-L – M529A : Communications Module and Tone Generator |
| WBS-L – M562C : Stereo 3-Band Equalizer |
| WBS-L – M562C : Stereo 3-Band Equalizer |
| WBS-L – M562C : Stereo 3-Band Equalizer |
| WBS-L – M604 : M604 – Dual Frequency Oscillator |
| WBS-L – M605A : Distribution Amplifier |
| WBS-L – M605A : Distribution Amplifier |
| WBS-L – M621 : 20 Watt Power Amplifier |
| WBS-L – M621 : 20 Watt Power Amplifier |
| WBS-L – M624 : 24 Volt Power Supply |
| WBS-L – M624 : 24 Volt Power Supply |
| WBS-L – M624 : 24 Volt Power Supply |
| WBS-L – M625B : 25V Audio Power Supply |
| WBS-L – M625B : 25V Audio Power Supply |
| WBS-L – M625B : 25V Audio Power Supply |
| WBS-L – M625B : 25V Audio Power Supply |
| WBS-L – M625B : 25V Audio Power Supply |
| WBS-L – M648 : 48V Phantom Power Supply |
| WBS-L – M648 : 48V Phantom Power Supply |
| WBS-L – M648 : 48V Phantom Power Supply |
| WBS-L – M701B : Intercom on ramp |
| WBS-L – M805 : Distribution Amplifier |
| WBS-L – M805 Rack : M805 Rack |
| WBS-L – M808 : Logic – Relay Board |
| WBS-L – M8200 : Remote Controlled Micpre-amp |
| WBS-L – M8202 : Digital to Analog Converter |
| WBS-L – M8204 : Distribution Amp |
| WBS-L – M8205 : Distribution Amplifier |
| WBS-L – M8205B : Distribution Amp |
| WBS-L – M8205B : Distribution Amp |
| WBS-L – M8205B : Distribution Amp |
| WBS-L – M8245 : 8200 series Power Supply |
| WBS-L – M8540 : Intercom Power Supply |
| WBS-L – MF10 : Rack Mount Module Tray |
| WBS-L – MISC INTERCOM : MISC INTERCOM |
| WBS-L – PAULINE : MP1, MP2,MP3,MP4 Meter Panels |
| WBS-L – Peggy Sue : Peggy Sue Mixing Console |
| WBS-L – PG 1550 : Penny and Giles 1550 |
| WBS-L – PG 1550 : Penny and Giles 1550 |
| WBS-L – PG 1550 : Penny and Giles 1550 |
| WBS-L – PG 1550 : Penny and Giles 1550 |
| WBS-L – PG 4520 ST : ST Series Penny and Giles 4520 Fader |
| WBS-L – PG 4520 ST : ST Series Penny and Giles 4520 Fader |
| WBS-L – PG 4520 ST-ereo : ST Series Penny and Giles 4520 Fader Stereo |
| WBS-L – R1400-870139 : R1400-14 Channel Radio Console |
| WBS-L – RACK – MF10 : RACK – MF10 – 10 Space Rack |
| WBS-L – RACK-FX Rack 1 : WBS-FX Rack 1 – Dynamics – EDAC 90 and XLR for Keys |
| WBS-L – RACK-FX Rack 2 : WBS-FX Rack 2 – Dynamics and Filter – EDAC 90 |
| WBS-L – RACK-FX Rack 3 : WBS-FX Rack 3 – Filters – EDAC 90 |
| WBS-L – RACK-Summing Rack : RACK-Summing Rack |
| APK – Rhonda : Rhonda |
| APK – RTO-214-NAB2015 : 2 X 14 Retro Module Rack |
| APK – RTO-47-NAB2015 : 4 X 7 Retro Module Rack |
| APK – RTO-47-The Hoser : 4 X 7 Retro Module Rack |
| WBS – ST12-10-3-F : ST series – 10′ – 1′ tail-Female – LINE IN |
| WBS – ST12-10-3-M : ST series – 10′ – 1′ tail-Female – DIRECT OUT |
| WBS – ST12-25-U : ST series – 20′ – USER TERMINATED |
| WBS – ST12-3-1-F : ST series – 3′ – 1′ tail-Female – INSERT |
| WBS – ST12-3-1-M : ST series – 3′ – 1′ tail-Male – INSERT |
| WBS – ST12-30-3-M : ST series – 30′ – 1′ tail-Female – MIC IN |
| APK – Stan : STan – 12 Channel ST series Console |
| STUDER – Studer-Phase : Analog Studer-Phase meter |
| – DBX – 911 – Noise Reduction |
| – DBX – 911 – Noise Reduction |
| – DBX – 911 – Noise Reduction |
| – SKOTEL – SKOTEL “Digital” Metronome |
| – – Cart Deck |
| – Alesis – Midiverb 2 |
| – Symetrix – A220 – 20 Watt amplifier |
| – Behringer – Behringer Edison – Stereo enhancer |
| – DOLBY – Dolby SDDU-4 – Surround sound decoder |
| – DOLBY – DOLBY SDEU-4 – Surround sound encoder |
| – Marantz – PDM 221 – portable field recorder |
| – Tascam – 122 Cassette Deck |
| – UREI – UREI METRONOME |
| – ADC – Digital Patchbay |
| – APK – EDAC breakout – RACK output |
| – DBX – 120XP Sub Harmonic Synth |
| – Clydsdale – Orange Case – Dutchie |
| – Digidesign – 003 Rack – missing pwr on button – discolored |
| – Studer – Telephone Hybrid |
| – Studer – Telephone Hybrid |
| – Tascam – 122MK2 – 3 head stereo cassette recorder |
| – BBE – BBE 702 (stereo Sonic Maximizer in 900 series) |
| – Altec – Altec Lansing Tube Mics 001 |
| – Altec – Altec Lansing Tube Mics 002 |
| – Altec – Altec Lansing Tube Mics 003 |
| – Altec – Altec Lansing Tube Mics 004 |
| – Altec – Altec Lansing Tube Mics 005 |
| – Altec – Altec Lansing Tube Mics 006 |
| – Altec – Altec Lansing Tube Mics 007 |
| – Altec – Altec Lansing Tube Mics 008 |
| – APK – EDAC breakout – XLR |
| – ASHLY – ASHLEY SC-68 notch filter |
| – BSS – DPR-402 – Compressor limiter / De-Esser |
| – BSS – DPR-402 – Compressor limiter / De-Esser |
| – MOGAMI – (24) Channel 25′ EDAC TO EDAC EXTENSION |
| – MOGAMI – (24) Channel 6′ EDAC TO EDAC EXTENSION |
| – MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 001 |
| – MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 002 |
| – MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 003 |
| – MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 004 |
| – MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 005 |
| – MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 006 |
| – MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 007 |
| – Shure – Shure SM81 |
| – Yamaha – YAMAHA PB-1 |
| – Yamaha – Yamaha SPX900 Reverb |
| – AKG – AKG – H99 – Harry – BINAURAL Stereo Microphone |
| – APK – EDAC breakout – TRS |
| – DELTA LABS – EFFECTRON II ADM1024 |
| – Tascam – 122MK2 – 3 head stereo cassette recorder |
| – LEXICON – PCM41 |
| – New Frontiers – DSP-2110-EX S – signal Analyzer |
| – AUDIO ACCESSORIES – 2RU – 96 point – TT Patchbays – EDAC 56 |
| – SELA – 2880-6F ( field mixing console) |
| – SPL – Vitalizer ( Classic grey faced) |
| – TC ELECTRONICS – TC Electronics – FireworX |
| – TC ELECTRONICS – FINALIZER PLUS |
| – DBX – DBX 900 – Rack – Wired to EDAC with EDAC snake |
| – APK – TT Patchbays – EDAC 90 – CUSTOM |
| – APK – TT Patchbays – EDAC 90 – CUSTOM |
| – APK – TT Patchbays – EDAC 90 – CUSTOM |
| – APK – TT Patchbays – EDAC 90 – CUSTOM |
| – Alesis – Alesis HD24 – 24 Track – with Hard case and mogami snakes |
Ward-Beck – D/A-DA – (24) Ch AESDigital to (120) +4dB Analog
GREEN HOME MONITORING SYSTEM
Title: GREEN HOME MONITORING SYSTEM – TRANSMITTER
Author: ANTHONY P KUZUB
DATE: 2015 04 01
Description:
REMOTE MONITORING TRANSMITTER
The GREEN HOME MONITORING SYSTEM controls, monitors then transmits the
status of three room lights to a remote monitoring station.
The code below is the local control and transmitter
Three light switches along with motion sensors control the functionality
of the rooms lights.
When the system is enabled:
The light turns on When motion is detected.
Once motion is detected a five second counter Starts.
If motion is not detected within the five seconds The light shut
off saving power.
When the system is disabled:
The light switch controls The light Directly.
A Peak Power cost value is captured based on the time of day.
To Test this feature: apply a slowly 10mHz Sine wave 1.25
Vpp with offset of 0.625V offset to TP7
This moving sine wave is converted to digital by means of A/D convertor
This power cost value is displayed on the segment display
Indicating the value of power throughout the day.
The Status of The System state, switch position, motion detection, Light
status, and Energy cost, are transmitted to a remote monitoring station
via serial port 1.
Title: GREEN HOME MONITORING SYSTEM – RECEIVER
Author: ANTHONY P KUZUB
DATE: 2015 04 01
Description:
The GREEN HOME MONITORING SYSTEM controls, monitors then transmits the
status of three room lights to a remote monitoring station.
The code below is the remote monitoring station
This program receives 2 bytes of data from the transmitter through
Serial port 1. The data is decoded and displayed on a screen by access
of serial port 2 of the controller.
A workstations TERMINAL session connects a a com port to the hardware receiver.
SESSION CONFIGURATION:
BAUD RATE: 9600
DATA BITS: 8
PARITY: NONE
FLOW CONTROL: NONE
EMULATION: ANSI
The Status of the system, switch positions, motion detection, Light status,
and Energy PEAK VALUE displayed on the terminal screen.
A Changing Peak Power cost is applied proportionaly to room cost acumulators.
By Pressing the respective key on the terminal keyboard, the rooms cost will
reset to zero.
Please note that with the exception of the push buttons all states are
ACTIVE HIGH
Designing a network for school
Assigning IPs and all!
Sunlight
Macbook Charger Double Wrap
Dolby atmos
I was lucky enough to get to visit the new Atmos mix room at Deluxe Toronto. This was the deadest big room I’ve ever been in. It was impressive to hear the system. Being a part of the AES gave me an incredible experience of A/B-ing the new IMAX mix room at Technicolor and the Atmos room at Deluxe. In my opinion the ideas of IMAX immersive technologies translate much better. The guys at IMAX got it right.
Martin Pilchner did an amazing job.
They had a guy from dolby explaining a little about how Atmos renders… very interesting how it translates from room to room.
More information from the Dolby Site:
Ward-Beck Systems ST series – bucket of 12
Anxiety, regret, and satisfaction at the 1/2 way point
Sound guy xmas Idea – CN37 Light guided Connector Assembly
Got a Call from Christopher today. “I do a lot of EDACs” I said. He said “what you really want is the CB37 Light Director Board“
And he was right.
sound guy Xmas idea: APx515 2-Channel Audio Analyzer
This would be a dream for the test bench. Simple, robust effective analysis tools! I would be happy with an old system one… but this would be on the shelf in a heartbeat.
The APx515 is a high performance audio analyzer optimized for production test. APx515 has a typical THD+N of –106 dB, a one million point FFT with 24-bit resolution, and 192K digital I/O. It is a best-in-class instrument for its combination of speed, performance, automation, and ease-of-use.
APx515 is a significant product because it delivers the performance and reliability of Audio Precision at a production-level price.
APx is the fastest audio analyzer in the world, returning 21 audio measurements in as fast as 1.2 seconds. It is also the easiest to use, with one-click measurements, custom reporting and sophisticated automation without any programming. A full API and LabVIEW driver is also provided.
This speed and ease-of-use means test will never be a bottleneck, and production line managers can achieve reliable, consistent results compared to the current low-cost alternatives like a distortion analyzer.
For companies outsourcing their production, requiring APx515 on the production line gives tighter control over production, ensuring manufacturers are meeting their contractual requirements.