The aesthetic of quality

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Something that appears to be of high quality or sophistication but lacks true substance or craftsmanship. It’s the idea of presenting an illusion of excellence—through design, branding, or superficial elements—without the underlying integrity or value. In other words, it’s a deceptive or inauthentic display meant to mimic true quality, often relying on surface-level attributes rather than genuine merit. This can be seen in products, services, or even experiences that seem premium at first glance but ultimately fall short when examined more closely.

 

 

“Access is the medium”

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“Access is the medium” describes the shift from physical ownership of media (books, CDs, DVDs, etc.) to a digital world where the primary way to consume content is through access, typically via subscriptions or paywalls. Instead of purchasing individual pieces of media, users now gain temporary access to vast libraries of content, often behind paywalls or through streaming services. In this paradigm, access itself becomes the medium through which content is delivered and consumed, emphasizing convenience and immediacy over ownership.

TWiRT 712 – Fun with AI Inspires Broadcast Engineers – Matt Aaron & Anthony Kuzub

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The rise of AI-generated lyrics and music is giving engineers something to chuckle about. But could this “easy creativity” inspire other engineering solutions? Kirk drew a comparison with photographer Jeremy Cowart and his use of an LED wall to produce 60 different portraits in 60 seconds. Anthony Kuzub, an engineer at CBC in Canada, pointed out the AI that’s involved with lighting a new studio, matching accent lights to the video monitor feeds. Matt Aaron is programming a fully-AI streaming station that’s playing “Broadcast Engineers Gangster Rap”. Are these just passing curiosities? Or are they signals of technologies and techniques to come for broadcasting and content creation?

Show notes: “The Legend of Chris Tarr” from suno.com https://suno.com/song/ecb43422-a9a0-4…

And another version of “The Legend of Chris Tarr” https://suno.com/song/9f924c42-c5b7-4… Matt Aaron’s AI-music streaming station https://broadcastengineeringgangsters…

And if Kirk had a radio station, KIRK, this could be the theme song https://suno.com/song/7e61f354-34e0-4…

Anthony mentioned ElevenLabs for text-to-speech and AI voice generation https://elevenlabs.io/

Anthony noted the Roland VC-1-DMX video lighting converter https://proav.roland.com/global/produ…

 

The last meter

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“The last meter” refers to the final connection between an audio device, such as a microphone, headphones, or speakers, and the larger sound system or network. Just as “the last mile” in telecommunications represents the crucial final stretch that delivers service to the end user, “the last meter” in audio engineering highlights the importance of the final cable or wire, which directly impacts the quality and reliability of the sound being transmitted. Despite its short length, this connection is critical for ensuring the integrity of the overall sound system.

Live from the CCBE in Toronto, Canada – TWiRT Ep. 710

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The CCBE conference encompasses two days of professional broadcast engineering career development. This includes carefully-chosen paper presentations, an expo hall, and an awards dinner and ceremony honoring leaders in the broadcast engineering profession. We got to meet with and converse with leaders in the Central Canadian Broadcast Engineers group, plus Canadian engineers and leading equipment manufacturers.

AES Member Profile – aes.org/AES/APK/ no longer working

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AES Member Profile
Anthony Kuzub
Anthony Kuzub
Job Title: Sr. Systems Designer
Company: CBC / Radio- Canada
Status: Member
Member since: 2009
Technical Committee: Network Audio Systems
Standards Committees: SC-02-01 (Digital Audio Measurement Techniques), SC-02-02 (Digital Input/Output Interfacing), SC-02-02-K (Multichannel audio in AES3, X196), SC-02-02-L (MADI over twisted-pair cabling), SC-02-08 (Audio File Transfer and Exchange), SC-02-08-E (X212 HRTF file format), SC-02-12 (Audio Applications of Networks), SC-02-12-H (AES-X192), SC-02-12-J (Network Use Cases), SC-02-12-L (Open Control Architecture), SC-02-12-M (AES67 development), SC-02-12-N (Media network directories), SC-02-12-P (Broadcast and Online Delivery), SC-02-12-Q (Streaming Loudness), SC-02-12-R (Streaming audio metadata over IP), SC-03-06 (Digital Library and Archive Systems), SC-03-12 (Forensic Audio), SC-04-03 (Loudspeaker Modeling and Measurement), SC-04-04 (Microphone Measurement and Characterization), SC-04-04-D (Project AES-X42), SC-04-04-E (Microphone comparisons), SC-04-08 (Sound systems in rooms), SC-05-02 (Audio Connectors), SC-05-02-F (Fiber optic), SC-05-05 (Grounding and EMC Practices)
Primary Section: Toronto

Company Website: http://www.CBC.ca
Other Professional Website: http://www.TorontoAES.org
Personal Website: http://Like.audio
Contact: Anthony Kuzub
Audio Fields:
Broadcasting – Television Sound
Broadcasting – Studio
Broadcasting – Transmission
Broadcasting – Radio
Job Duties:
Designer
System Designer
About
Vice Chair Toronto AES 2017-2019
Chair Toronto AES 2019-2021

Bio:ANTHONY KUZUB updated May 2021

Anthony is a 3rd generation recording / broadcasting engineer. Obsessed with audio from a young age, he studied Ward-Beck Systems console schematics while his dad worked at CFQC-TV in Saskatoon. He maintains WBSps.ca , a Preservation Society whose members collate tech info and documentation about the legendary Toronto manufactured broadcast equipment. After 15 years of owning studios, producing music, mixing for IATSE 300, and refurbishing consoles he moved from Saskatoon to Toronto. In 2010 Anthony commissioned Revolution Recording as their Technical Supervisor. While Rush was recording in studio A, he built a custom Ward-Beck Systems Mixing Console for C. Anthony consulted, upgraded and designed audio equipment for community pillar like Livewire, Joao Carvalho Mastering, Lacquer Channel, many private individuals and studio visitors.

In 2016 he earned an Honors Diploma in Communication Engineering from Seneca Toronto.
Upon graduation, Anthony worked as the IP audio product manager for Toronto’s Ward-Beck.Systems. While taking on the role as Chair of the Toronto Audio Engineering Society (www.TorontoAES.org) he designed networked audio systems for railroads, broadcast plants, transmitter sites, production studios and virtualized production environments. Most notably were his contributions in an AES70 commanded remote controlled microphone pre-amp with AES67 transceivers meeting SMPTE 2110-30 compliancy. Anthony has designed, engineered, manufactured and supplied the highest quality broadcast and studio equipment to television and radio broadcasters worldwide.

As of 2020 Anthony has been working with the Canadian Broadcasting Corporation to design systems to best implement Audio Engineering Society standards. Leading projects with engineering Solution for the Media technology and infrastructure services. Anthony’s current portfolios include real time and file transport of production audio for radio, television and digital production.

Anthony is actively involved in the technical development of audio and media control standards.

 

Timeline;

1997-2010 – Recording studio Producer / Engineer: High Voltage Recording – Tanda Recording
2003-2018 – Audio Technician: Bell Media, IASTE 300
2010-2013 – Revolution Recording + Custom shop – Technical Supervisor – Console restoration
Ward-Beck Systems Mixing Console for their third room. Livewire, Joao Carvalho
Mastering, and Lacquer Channels Cutting system.
2013-2016 – Honors Diploma in Communication Engineering – Seneca Toronto.
2019 – Author – AES72-2019: AES standard on interconnections – Application of RJ45-type connectors and quad twisted pair cable for audio interconnections.
2014-2019 – IP audio product manager – Ward-Beck.Systems Toronto
2019 – Chair AES SC-05-05 – EMC practices
2020-present – CBC Radio Canada

Education Background
Seneca College of Applied Arts and Technology:

Degree Name: Electronics Engineering Technologist Communications

Grade: Honours

A comprehensive investigation of electronic circuitry, diagnostic techniques, applied mathematics, process control, and computer systems/networks. An advanced study of communication topics, including digital and data communications, the characteristics of signals and transmission media, cellular wireless systems, as well as broadband to the home.

This is a 3 year program that provides 30% hands—on laboratory work.

Program link: http://www.senecacollege.ca/fulltime/ELM.html

Software Development;
C, C++, VHDL, VB.NET, VEE, MATLAB

Employment History
www.MuchMusic.ca
Http://Ward-Beck.Systems
Http://RevolutionRecording.com

Related Experience
Anthony has spoken at NAB, AES, IBC, SMPTE meetings on the topic of networked audio using AES67 and ST2110-30

Why Am I An AES Member?
Birds of feather flock together.

To play for the Tie:

AES Member Profiles
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Schrödinger’s Delivery

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Schrödinger’s Delivery:   A hypothetical situation where a delivered package exists in a paradoxical state—it is both delivered and intact, yet simultaneously at risk of being broken. The outcome remains uncertain until you open the door to retrieve it. Until that moment, the package theoretically exists in both states: safely delivered and potentially damaged.