Category Archives: Musical Instruments
Pem Fasteners, nuts, standoffs, Studs and Pins For Sheet Metal and PCBs
Amazing Miniatures
From: https://www.youtube.com/user/ROLT01/videos
Spring Cleaning – leads to…
Summer sale!
Cleaning out the shop… more to follow
| WBS-L – 10-060 : PPM Meter Driver |
| WBS-L – 14-260 : Mic-Preamp and HP Filter |
| WBS-L – 4-109 : Amplifier Card |
| WBS-L – 8-109 : Amplifier Card |
| WBS-L – 8200 Rack 1 : 8200 Rack 1 |
| WBS-L – 8200 Rack 2 : 8200 Rack 2 |
| WBS-L – 8200 Rack 3 : 8200 Rack 3 – Front Room |
| WBS-L – 8200 Rack 4 : 8200 Rack 4 – Front Room |
| WBS-L – 8200 Rack 5 : 8200 Rack 5 – Front Room |
| WBS-L – 970029-1 : 12 Fader remote modules |
| WBS-L – ADC-48 : 48 Point Patchbay to EDAC90 |
| WBS-L – Antoinette : Antoinette |
| WBS-L – Bryston 4B : Power Amplifier |
| WBS-L – BS – BIG PPM : Bach and Simpson – Large WBS PPM meter |
| WBS-L – BS – BIG VU : Bach and Simpson – Large WBS VU meter |
| WBS-L – BS – BIG VU – 400 : Bach and Simpson – Large WBS VU meter |
| WBS-L – BS – SMALL PPM : Bach and Simpson – Small WBS PPM meter |
| WBS-L – BS – SMALL VU : Bach and Simpson – Small WBS VU meter |
| WBS-L – BS – SMALL VU : Bach and Simpson – Small WBS VU meter |
| WBS-L – COUNTER : Timer |
| WBS-L – DMM12 : Tannoy DMM12 Speaker |
| WBS-L – M124 : Universal Audio Amplifier |
| WBS-L – M166 : Summing – Summing amplifier |
| WBS-L – M174 : Intercom Cross Point |
| WBS-L – M201 : M201 Relay Module |
| WBS-L – M201 : M201 Relay Module |
| WBS-L – M201D : M201 Relay Module |
| WBS-L – M202 : M202 – Logic Latch Relay Module |
| WBS-L – M202 : M202 – Logic Latch Relay Module |
| WBS-L – M207 : Phantom Power 24V to 48 V |
| WBS-L – M207 : Phantom Power 24V to 48 V |
| WBS-L – M207 : Phantom Power 24V to 48 V |
| WBS-L – M24A : Broadcast Multi-Track Console |
| WBS-L – M401 : Stereo Noise Suppressor |
| WBS-L – M402B : M402B – Equalizer |
| WBS-L – M404A : Passive HP Low Pass filter |
| WBS-L – M406B : Compressor / Limiter / De-Esser |
| WBS-L – M441M : Line input and Microphone pre-amp |
| WBS-L – M450 : Universal Amplifier |
| WBS-L – M450B : Universal Audio Amplifier |
| WBS-L – M450B : Universal Audio Amplifier |
| WBS-L – M451 : Talkback Conrtole and Dual Microphone Pre-amps |
| WBS-L – M452 : Tone Generator |
| WBS-L – M453A : Cue Speaker Amplifier |
| WBS-L – M453A : Cue Speaker Amplifier |
| WBS-L – M453A : Cue Speaker Amplifier |
| WBS-L – M453A : Cue Speaker Amplifier |
| WBS-L – M455 : Reverb Return Module |
| WBS-L – M457 : 4 Channel Sub Mixer |
| WBS-L – M458 : Peak Detector |
| WBS-L – M461 : Microphone and line Pre-amp |
| WBS-L – M461 : Microphone and line Pre-amp |
| WBS-L – M461 : Microphone and line Pre-amp |
| WBS-L – M461M : Microphone and line Pre-amp |
| WBS-L – M462 : 3-Band Equalizer – Full Parametric |
| WBS-L – M462 : 3-Band Equalizer – Full Parametric |
| WBS-L – M462 : 3-Band Equalizer – Full Parametric |
| WBS-L – M462A : 3-Band Equalizer – Mid Sweep |
| WBS-L – M462A : 3-Band Equalizer – Mid Sweep |
| WBS-L – M462A : 3-Band Equalizer – Mid Sweep |
| WBS-L – M462A : 3-Band Equalizer – Mid Sweep |
| WBS-L – M462A : 3-Band Equalizer – Mid Sweep |
| WBS-L – M462B : 4-Band Equalizer – Full Parametric |
| WBS-L – M462B : 4-Band Equalizer – Full Parametric |
| WBS-L – M462B : 4-Band Equalizer – Full Parametric |
| WBS-L – M463B : M463AB – Submaster Module |
| WBS-L – M463M : Summing – Sub Group |
| WBS-L – M464 : High Pass / Low Pass Filter |
| WBS-L – M464 : High Pass / Low Pass Filter |
| WBS-L – M464 : High Pass / Low Pass Filter |
| WBS-L – M466 : Compressor / Limiter / De-Esser |
| WBS-L – M466 : Compressor / Limiter / De-Esser |
| WBS-L – M466 : Compressor / Limiter / De-Esser |
| WBS-L – M466 : Compressor / Limiter / De-Esser |
| WBS-L – M466M : M466M Meter Module |
| WBS-L – M467 : VU Meter – Comp tie – Noise Gate |
| WBS-L – M467 : VU Meter – Comp tie – Noise Gate |
| WBS-L – M467 : VU Meter – Comp tie – Noise Gate |
| WBS-L – M467K : VU Meter – Comp tie – Noise Gate with Key |
| WBS-L – M467K : VU Meter – Comp tie – Noise Gate with Key |
| WBS-L – M468V : Reverb Return Module |
| WBS-L – M469C : M1204 Routing module |
| WBS-L – M470A : Microphone and line Pre-amp |
| WBS-L – M470A : Microphone and line Pre-amp |
| WBS-L – M470C : Microphone and line Pre-amp |
| WBS-L – M470D : Microphone and line Pre-amp |
| WBS-L – M471 : Stereo Input |
| WBS-L – M471A : Stereo Input |
| WBS-L – M472 : 3 Band Equalizer |
| WBS-L – M473A : Summing – sub Group |
| WBS-L – M473A : Summing – sub Group |
| WBS-L – M475 : Monitor – Stereo speaker monitor |
| WBS-L – M477 : Summing – Master Summing |
| WBS-L – M479 : Summing – Aux |
| WBS-L – M479 : Summing – Aux |
| WBS-L – M487 : Dual Master Module |
| WBS-L – M490A : Microphone Pre-amp |
| WBS-L – M490C : Mono line in – Via Transformer |
| WBS-L – M490E : Stereo Input Module |
| WBS-L – M490E : Stereo Input Module |
| WBS-L – M490E : Stereo Input Module |
| WBS-L – M490F : Stereo Input Module with Aux routing |
| WBS-L – M495 : Stereo Monitor Module |
| WBS-L – M495 : Stereo Monitor Module |
| WBS-L – M497 : Summing Amplifiers |
| WBS-L – M497 : Summing Amplifiers |
| WBS-L – M497 : Summing Amplifiers |
| WBS-L – M497A : M497A – Dual Master Module |
| WBS-L – M498 : Selector – 8 Stereo |
| WBS-L – M498A : Selector – 10 Stereo |
| WBS-L – M499 : Selector – 12 Channel |
| WBS-L – M499 : Selector – 12 Channel |
| WBS-L – M520 : ST Series Microphone Pre-amp |
| WBS-L – M520A : ST Series – Microphone Pre-amp |
| WBS-L – M520A : ST Series – Microphone Pre-amp |
| WBS-L – M521A : ST Series – Stereo Line in |
| WBS-L – M522 : ST Series 3-Band EQ |
| WBS-L – M522A : ST Series 3-Band EQ |
| WBS-L – M522A : ST Series 3-Band EQ |
| WBS-L – M522A : ST Series 3-Band EQ |
| WBS-L – M523 : ST Series Sub Group |
| WBS-L – M525 : Monitor Controller |
| WBS-L – M527 : M527, MASTER MODULE |
| WBS-L – M528B : Dual Summing Amp |
| WBS-L – M529 : M529 – Communications Module |
| WBS-L – M529A : Communications Module and Tone Generator |
| WBS-L – M562C : Stereo 3-Band Equalizer |
| WBS-L – M562C : Stereo 3-Band Equalizer |
| WBS-L – M562C : Stereo 3-Band Equalizer |
| WBS-L – M604 : M604 – Dual Frequency Oscillator |
| WBS-L – M605A : Distribution Amplifier |
| WBS-L – M605A : Distribution Amplifier |
| WBS-L – M621 : 20 Watt Power Amplifier |
| WBS-L – M621 : 20 Watt Power Amplifier |
| WBS-L – M624 : 24 Volt Power Supply |
| WBS-L – M624 : 24 Volt Power Supply |
| WBS-L – M624 : 24 Volt Power Supply |
| WBS-L – M625B : 25V Audio Power Supply |
| WBS-L – M625B : 25V Audio Power Supply |
| WBS-L – M625B : 25V Audio Power Supply |
| WBS-L – M625B : 25V Audio Power Supply |
| WBS-L – M625B : 25V Audio Power Supply |
| WBS-L – M648 : 48V Phantom Power Supply |
| WBS-L – M648 : 48V Phantom Power Supply |
| WBS-L – M648 : 48V Phantom Power Supply |
| WBS-L – M701B : Intercom on ramp |
| WBS-L – M805 : Distribution Amplifier |
| WBS-L – M805 Rack : M805 Rack |
| WBS-L – M808 : Logic – Relay Board |
| WBS-L – M8200 : Remote Controlled Micpre-amp |
| WBS-L – M8202 : Digital to Analog Converter |
| WBS-L – M8204 : Distribution Amp |
| WBS-L – M8205 : Distribution Amplifier |
| WBS-L – M8205B : Distribution Amp |
| WBS-L – M8205B : Distribution Amp |
| WBS-L – M8205B : Distribution Amp |
| WBS-L – M8245 : 8200 series Power Supply |
| WBS-L – M8540 : Intercom Power Supply |
| WBS-L – MF10 : Rack Mount Module Tray |
| WBS-L – MISC INTERCOM : MISC INTERCOM |
| WBS-L – PAULINE : MP1, MP2,MP3,MP4 Meter Panels |
| WBS-L – Peggy Sue : Peggy Sue Mixing Console |
| WBS-L – PG 1550 : Penny and Giles 1550 |
| WBS-L – PG 1550 : Penny and Giles 1550 |
| WBS-L – PG 1550 : Penny and Giles 1550 |
| WBS-L – PG 1550 : Penny and Giles 1550 |
| WBS-L – PG 4520 ST : ST Series Penny and Giles 4520 Fader |
| WBS-L – PG 4520 ST : ST Series Penny and Giles 4520 Fader |
| WBS-L – PG 4520 ST-ereo : ST Series Penny and Giles 4520 Fader Stereo |
| WBS-L – R1400-870139 : R1400-14 Channel Radio Console |
| WBS-L – RACK – MF10 : RACK – MF10 – 10 Space Rack |
| WBS-L – RACK-FX Rack 1 : WBS-FX Rack 1 – Dynamics – EDAC 90 and XLR for Keys |
| WBS-L – RACK-FX Rack 2 : WBS-FX Rack 2 – Dynamics and Filter – EDAC 90 |
| WBS-L – RACK-FX Rack 3 : WBS-FX Rack 3 – Filters – EDAC 90 |
| WBS-L – RACK-Summing Rack : RACK-Summing Rack |
| APK – Rhonda : Rhonda |
| APK – RTO-214-NAB2015 : 2 X 14 Retro Module Rack |
| APK – RTO-47-NAB2015 : 4 X 7 Retro Module Rack |
| APK – RTO-47-The Hoser : 4 X 7 Retro Module Rack |
| WBS – ST12-10-3-F : ST series – 10′ – 1′ tail-Female – LINE IN |
| WBS – ST12-10-3-M : ST series – 10′ – 1′ tail-Female – DIRECT OUT |
| WBS – ST12-25-U : ST series – 20′ – USER TERMINATED |
| WBS – ST12-3-1-F : ST series – 3′ – 1′ tail-Female – INSERT |
| WBS – ST12-3-1-M : ST series – 3′ – 1′ tail-Male – INSERT |
| WBS – ST12-30-3-M : ST series – 30′ – 1′ tail-Female – MIC IN |
| APK – Stan : STan – 12 Channel ST series Console |
| STUDER – Studer-Phase : Analog Studer-Phase meter |
| – DBX – 911 – Noise Reduction |
| – DBX – 911 – Noise Reduction |
| – DBX – 911 – Noise Reduction |
| – SKOTEL – SKOTEL “Digital” Metronome |
| – – Cart Deck |
| – Alesis – Midiverb 2 |
| – Symetrix – A220 – 20 Watt amplifier |
| – Behringer – Behringer Edison – Stereo enhancer |
| – DOLBY – Dolby SDDU-4 – Surround sound decoder |
| – DOLBY – DOLBY SDEU-4 – Surround sound encoder |
| – Marantz – PDM 221 – portable field recorder |
| – Tascam – 122 Cassette Deck |
| – UREI – UREI METRONOME |
| – ADC – Digital Patchbay |
| – APK – EDAC breakout – RACK output |
| – DBX – 120XP Sub Harmonic Synth |
| – Clydsdale – Orange Case – Dutchie |
| – Digidesign – 003 Rack – missing pwr on button – discolored |
| – Studer – Telephone Hybrid |
| – Studer – Telephone Hybrid |
| – Tascam – 122MK2 – 3 head stereo cassette recorder |
| – BBE – BBE 702 (stereo Sonic Maximizer in 900 series) |
| – Altec – Altec Lansing Tube Mics 001 |
| – Altec – Altec Lansing Tube Mics 002 |
| – Altec – Altec Lansing Tube Mics 003 |
| – Altec – Altec Lansing Tube Mics 004 |
| – Altec – Altec Lansing Tube Mics 005 |
| – Altec – Altec Lansing Tube Mics 006 |
| – Altec – Altec Lansing Tube Mics 007 |
| – Altec – Altec Lansing Tube Mics 008 |
| – APK – EDAC breakout – XLR |
| – ASHLY – ASHLEY SC-68 notch filter |
| – BSS – DPR-402 – Compressor limiter / De-Esser |
| – BSS – DPR-402 – Compressor limiter / De-Esser |
| – MOGAMI – (24) Channel 25′ EDAC TO EDAC EXTENSION |
| – MOGAMI – (24) Channel 6′ EDAC TO EDAC EXTENSION |
| – MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 001 |
| – MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 002 |
| – MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 003 |
| – MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 004 |
| – MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 005 |
| – MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 006 |
| – MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 007 |
| – Shure – Shure SM81 |
| – Yamaha – YAMAHA PB-1 |
| – Yamaha – Yamaha SPX900 Reverb |
| – AKG – AKG – H99 – Harry – BINAURAL Stereo Microphone |
| – APK – EDAC breakout – TRS |
| – DELTA LABS – EFFECTRON II ADM1024 |
| – Tascam – 122MK2 – 3 head stereo cassette recorder |
| – LEXICON – PCM41 |
| – New Frontiers – DSP-2110-EX S – signal Analyzer |
| – AUDIO ACCESSORIES – 2RU – 96 point – TT Patchbays – EDAC 56 |
| – SELA – 2880-6F ( field mixing console) |
| – SPL – Vitalizer ( Classic grey faced) |
| – TC ELECTRONICS – TC Electronics – FireworX |
| – TC ELECTRONICS – FINALIZER PLUS |
| – DBX – DBX 900 – Rack – Wired to EDAC with EDAC snake |
| – APK – TT Patchbays – EDAC 90 – CUSTOM |
| – APK – TT Patchbays – EDAC 90 – CUSTOM |
| – APK – TT Patchbays – EDAC 90 – CUSTOM |
| – APK – TT Patchbays – EDAC 90 – CUSTOM |
| – Alesis – Alesis HD24 – 24 Track – with Hard case and mogami snakes |
Keaton Music Typewriter
Amazing machine
3 NAMM picks
1
I wasn’t there I was in school… but I have seen a few things.
Moog 37
MS20kit
and the UA Twin
I like em
I pick three
Sound guy xmas idea #27 – ROLI seaboard Studio
A very new form of expressive keyboard has been introduced by ROLI in London. They craft a very intuitive keyboard like no other called the seaboard. Recently they released the seaboard studio.
I look at it as finally giving true pitch control to keyboardists.
“It’s not a keyboard it’s a seaboard”
C heck it out:
Sound guy xmas idea #14 – A custom piece of studio furniture
If it’s not custom it’s crap. And, if it’s not designed and built with the love and respect for the craft like Brock at 2egress builds, it’s also crap.
I met Brock my first week in Toronto and was blown away by his designs and builds. The most elegant, tasteful, and quality Recording Studio Furniture on the market.
If you want to deliver something special to your special sound guy you will have to order it soon, like today if you want delivery by xmas.
Check out his website: 2egress.com and give him a call, he will inspire something you’ve never thought of.
What every studio needs
MXR Phase 100 repair and mod
Someone blew it up with the wrong PSU… cost more to fix it than it’s worth. Moral of the story… Every Guitar player needs a VOODOO LABS PEDAL POWER!!!
Searching for a small reverb tank… 1BB3C1B – Who hoards these?
I’m repairing a Yamaha PG-1 guitar pre-amp and am in need of a reverb tank
The model # I have is 1BB3C1B
1 – Type 1
B – Input Impedance 150 Ohm
B – Output Impedance 2,250 Ohm
3 – decayLong (2.75 to 4.0s)
C – Input Insulated/Output Grounded
1 – No Lock
B – Horizontal Open Side Down
The spring had come apart inside and the other spring must have broken in the past and was removed.
let me know if you have something similar!
Hohner Bass 3 in for a tune up
My Brother sent me this flea market gem. The power on the schematic was wrong, a cap lead had come undone and it needed some TLC. The output is very low and I may build a little pre-amp for it… 
EMS Synthi 100
YAMAHA EX-2
ALBN-2600
I want this ALBiNo 2600
Urge to smash
Image
I recently acquired a new computer and have begun the “Migration” from old to new. I know it’s not a quick process (600+ Gb from machine to machine) but by my math this estimation, using FW800, was WAY OUT. The problem turns out that the computer was going to sleep during this migration!! Why the HELL would it do such a stupid thing? There were no options for sleeping as it’s a fresh install. Shame on Apple.
After three failed attempts, I had to find a solution to me sitting at two idle computers for 8 hours.
AND HERE IT IS!
(standby for video)
I needed to be able to leave it also… so in an audio Macgyver moment of desperation I turn to my biggest fan. The cable for the Trackball is moved by an oscillating fan. The headphones are on top of an upside down trackball, this and the duct tape give the trackball some weight to push on the keyboard (for computer 1) the movement also pushes a button on a Magic Trackpad (computer 1)
so far attempt number four is going smoothly (knock on wood)
customer Service
I like this sign, but the best way to prevent an accident, like this one is exaggerating, is customer service.
Wurli nightmare…
Quite possibly the WORST place a bobby pin could fall inside a Wurli
-
- Plate coming off
-
- Screw in REALLY bad loaction that was impossible to get out
-
- Tick to getting it out :-)
-
- Wurli Love
-
- Tines
-
- Wurli tunnel
2006 – Microphone Case
Les Fabian and I designed this case for a store front and his brother Don built it for us, I wonder what happened to it when Larry and Moe bought it…
Two Notes Torpedo Live – now in a new home!
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Finally got it in a rack! Two Notes Torpedo amplifier load box with cabinate / microphone simulation
Jack added a speaker input on the producers desk for easy connection
I said when I first heard about it that “This piece is basically an Iso Booth in one rack space.” and in a small to mid sized studio without a booth or collection of amps it’s a huge asset! 
downside: I wanted to put the line in and line out on the Patchbay in addition to the speaker in and through-put on the panel (everything hooked up all the time). When you have a jack in the “line in” it overrides the speaker “load box”
