Sound guy xmas idea #11 – Book: Audio Systems Design and Installation

This is indeed a classic reference anyone who is building a studio should have.  A mentor, Neil Muncy, spoke of this as the be all end all of doing studios right.  it is available directly from the publisher so all the proceeds go to the people who believe in spreading the message.  I got my copy the other day and I’ve thumbed through every page and know I will be referencing it soon! Check out the Table of contents!

Go to http://posttoronto.com/index.php?route=product/category&path=59 to buy it (they will ship it to your someone special) .  ASDIcover br-500x500
And while you’re at it: The Bottomless Money Pit by Roger Ginsley is  fantastic.   
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Sound guy xmas idea #10 – Dan Dugan E-1A

The DD E-1A is the ultimate tool in not caring.  It does all the mixing for you and truthfully can do a better job than most seasoned mixers.   It’s fast… I mean SUPER fast and accurate.  There is a certain Dugan sound and it’s catching on.  Automatic mixing/ducking/ muting etc is becoming the norm in Television, churches, public forums, boardrooms etc etc   I’ve actually seen “Dan Dugan” receive mixing credits on a tv show.  This tool is not going away and the idea is catching on through VST and DSP processing.

I think they’re about $3400 – but think about how much money you’ll save paying attention.

http://www.dandugan.com/Assets/brochures/Model%20E-1A%20Brochure.pdfScreenshot 2013-11-05 07.35.12

Sound Guy Xmas idea #9 – Whirlwind Q-box

I’ve never worked a gig in TV audio where a Q box hasn’t been used.  I’ve used it to test lines, check mics, calibrate consoles, an intercom, an in ear monitor amplifier for a drummer who forgot his mackie power supply at home (drummers….)

Seriously valuable tool.

Should land you around $200 and that’s a steal
http://www.bhphotovideo.com/c/product/279655-REG/Whirlwind_QBOX_QBOX_Audio_Line.html 
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Sound Guy Xmas idea #8 – Moleskine Rulled Notebook

I take a LOT of notes, and I loose a LOT of notes.   I find myself throwing away little bits of paper with random writing daily.  Collect your thoughts in one classy place: a Moleskine notebook.

Prices vary and they are vailible in almost every bookstore in the world.

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ND here is a great system to keep it organized:

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Sound Guy Xmas idea #7 – Ward-Beck Systems SLM Meter

One of my favourite pieces of hardware on the market.  Shocked that this product isn’t in every studio in the world.

Super accurate, easy to read, unique overlaid PPM/VU ballistics, correlation between channels is instantly evident, phase meter, tilts, small foot print, can be placed anywhere, impresses the girls (big knobs)

This is a precision scientific tool, how can you be engineering something if there’s not lab equipment around?   You should have one.

http://ward-beck.com/products/metering_monitoring/slm1a

For special pricing, email Kevin@Ward-Beck.com and tell him APK sent you
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Sound Guy Xmas idea #6 – Manley Massive Passive EQ

 

 

You know you want one…

http://www.long-mcquade.com/products/14405/Pro_Audio_Recording/Signal_Processors/Manley/MSMP_-_Massive_Passive_Stereo_Tube_EQ.htm

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The Manley Massive Passive Stereo Tube EQ is a two-channel, four-band equalizer (with additional high pass and low pass filters) that can handle radical EQ sometimes needed for tracking as well as the most subtle shadings for vocals and mastering. It is designed to be a fundamentally different EQ but incorporates the best strengths of Pultecs, choice console EQs, parametrics and graphics. The difference is that the Massive allows twice as much EQ with half the coloration. It delivers huge HF boosts without sibilance problems and extreme fatness with impressive clarity.
Manley Massive Passive Features:
All-Passive tone sculpting circuitry
Unique Shelf curves use the “bandwidth” control
Overlapping and Interleaved Frequency choices
Every band switchable to shelf or bell
Vacuum tube make-up gain and line drivers
Parallel symmetrical topology
Premium components throughout
HP and LP Filters plus gain trims
Modular design allows future upgrades and special functions

Sound guy xmas gift idea #4 – The New Rockstar Philosophy

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I recommend “The New Rockstar Philosophy” by Matt Voyno and Roshan Hoover for band members touring acts, booking agents, up coming producers  and the like.  It’s a rather brief refresher to those who are out of touch with how touring acts and recording artists make money in this social media jungle.  Chapter 17 (THE 3P: A Three-Song EP That Comes Out Every Three Months) is a really good idea and I’ve shared it below.

Chapters include:

  1. EXCLAIMER
  2. AUTOPSY OF AN INDUSTRY
  3. WHO ARE YOU?
  4. GOALS
  5. SONGWRITING
  6. YOUR BAND IS A MARRIAGE
  7. IMAGE ISN’T A DIRTY WORD
  8. DEFINING YOUR AUDIENCE
  9. THE ART OF PRACTICE
  10. RECORDING
  11. SHOWS
  12. MAKING FRIENDS
  13. CLAIMING YOUR DIGITAL HOME BASE
  14. TAMING THE SOCIAL MEDIA BEAST
  15. YOUTUBE + ONLINE VIDEO
  16. BLOGGERS + PUBLICITY
  17. THE 3P: RE-EVALUATING THE ALBUM
  18. MERCH
  19. MANAGE YO MONEY
  20. CROWDFUNDING
  21. THE NANO TOUR
  22. SHOWCASES + CONFERENCES
  23. PUBLISHING + LICENSING
  24. ART OF THE COLLECTIVE
  25. THE NANO ROCKSTAR

 

 

Shared with the permission of: Suzanne Paschall of Indie Ink   <suzanne@indieinkpublishing.com>

THE 3P RE-EVALUATING THE ALBUM

 

“Albums are for fans. Singles are for newbies.” – BOB LEFSETZ

Many bands think that if they create 10–12 songs they should record an album. Then they go ahead and spend a sweet chunk of change doing so. They’ll spend even more money to press CDs even when they know most people download music for free. After the CD release, they stop promoting the album because they thought it was all about the release party. They then get discouraged and break-up because not enough people cared about their expensive “masterpiece.” So before you spend any money recording an album, you should ask yourself a very important

question:

Why are you recording an album?

COMPETITION FOR ATTENTION

There is an abundance of music out there. It’s always been a challenge to get and keep people’s attention, but today it’s even harder. You can download an album in minutes and not even listen to half the tracks because you’ve downloaded 20 other albums in an afternoon.

Great albums are usually a collection of artistically linked songs. Although you can design an album that’s meant to be listened from front to back, typically that’s only going to appeal to people after they’ve become fans. They won’t have the patience to listen to your whole album in one go if they’re first time listeners.

RECORDING COSTS

Even at an affordable studio, you can rack up a large bill recording an album. It’s common for indie artists to spend more than $10,000 recording and pressing an album. Home recording studios are an option, but in that case you need to know the software, the gear, work with the space, and know how to get the right sounds. What’s worse still, is that your hard work gets stashed away in your parent’s garage when it doesn’t sell as much as expected.

RE-IMAGINING THE ALBUM

If great albums are defined by the greatness of the songs on them ,couldn’t an EP with three of four songs, which are all great, also have impact on new fans? If you’re in a new band, isn’t your number one priority to gain an audience?

INTRODUCING THE 3P: A Three-Song EP That Comes Out Every Three Months

3P Benefits:

YOU STAY MOTIVATED!

Since you’re regularly releasing new music, you’re always promoting something fresh. It’s easy to lose motivation trying to promote songs you wrote years ago. It’s so much more fun and exciting to promote something new. When you are excited about your product, you’ll keep pushing.

FANS COME BACK

As fans keep coming back to your site for new music, you’ll get more opportunity to let them know what else you got going on. People will come to check out the new music and see your fine t-shirts, tour dates, new content and anything else you want them to check out. Treat your 3P like you would a full length with proper videos, photos, etc., for your fans.

IT’S CHEAPER!

Releasing a 3P doesn’t break the bank in one go. You can record, mix, and master three songs for a lot less than a 12-song album. Just make sure you stick to your budget.

FOCUS ON THE SONGS

It’s not always easy to make every song on an album great. Things get lost in the shuffle of money and studio time. Releasing three songs at a time helps you focus on making all those songs great. Your music is the most important thing you do. If fans get great songs, they will spread the word for you. If you consistently deliver, you’ll continue to grow your audience.

EASY ON DIGESTION

For new fans, if they get new music, they may listen to it front to back, but chances are they’ll skip through the songs until they find one that grabs them. Releasing fewer songs at a time means your fans can get into each song with less filler.

INCREASED STUDIO EXPERIENCES

Since a 3P is its own entity, your sessions will be shorter. You’ll be in the studio more often, but you’ll be working on new 3Ps instead of the same album. You’ll have more experience working in a studio and in each session you’ll probably learn something that will help for next time.

LESS RISK TRYING OUT NEW IDEAS

Staying true to what you want to express and keeping fans happy can sometimes be tough to balance. Releasing 3Ps allows you to experiment and see how fans will react, without losing too much money or time.

HAVE HYPED UP 3P RELEASE SHOWS FOUR TIMES A YEAR

How often do you normally have a new music release show? Maybe once a year? With the 3P you can have four release shows per year and have an excuse to make a big deal out of each one.

PHYSICAL COPIES ON DEMAND

Some people will want your music in physical format even if you just have one 3P out. For them, burn and package custom copies as you need them. You save money and boxes of unsold CDs.

ALBUM AT THE END OF THE YEAR

If you release three 3Ps for the year, you have nine songs that have been promoted and helped grow your audience. If you record one more 3P, compile it with the rest, master all of the 3Ps together and you’ll have yourself a full-length album.

Fine Print

We understand that this is a new idea for many artists and it can be a lot of work, but it’s important to remember that you don’t have to embrace the whole model from the start. Writing, recording and releasing two 3P’s could be what your situation requires this year. Or releasing one 3P can be enough to energize a band into finding more momentum.

In addition, after some experience with studios you may find that it’s better to record your entire album first and only RELEASE it in 3P format. Whatever the case, the modes of digesting music have changed significantly in the last 15 years and so should your output.

Digital Distribution

You have a few choices when it comes to digitally distributing your 3P. Most bands will choose to place their music with an online aggregator like CD Baby or TuneCore. These companies can put your music into iTunes, Amazon, Spotify, Rdio and others that you choose. Typically you pay either an up front fee or your digital distributor takes a percentage from any sales for your music.

THE TAKEAWAY

Albums aren’t essential to make new fans.

The 3P is a new world answer to breaking bands.

Three or four new songs every three or four months.

The 3P is easier for your fans to digest and easier for you to put out.

2 months until xmas… Sound guy xmas gift idea #1

Xmas is around the corner. My family has always complained about buying gifts for a sound guy. In an effort to simplify the search and beat the rush I will be posting some ideas that you may also share in hope you land what you want.

Sound guy xmas gift idea #1

What: New Mac Pro
why: Well this one is an obvious one just in time for the holidays. What is there to say… it comes with free shipping!
Where: http://store.apple.com/ca/buy-mac/mac-pro

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