A Social Experiment

I’ve been thinking about a social experiment.
I often take calls from people looking for services, I’ve met a lot of great people in this industry and I do stand by their great work and contributions.   So instead of fielding calls and answering the questions I’ve created a Wizard Services section at http://audioaholics.com/wizard_services

I am asking you my friends to use it to work, get work share work and do work together.  I would like to consider it my rolodex

I’ve got the permission to post a few contacts and will be doing so this week.

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Billie Jean… turns out is his son

From: http://www.cinemablend.com/pop/DNA-Results-Allegedly-Show-Michael-Jackson-Has-31-Year-Son-62653.html?fbmichael_jackson_62653

Go grab a cold glass of water and take a seat. It’s about to get really weird up in here. Apparently, Michael Jackson impregnated longtime Jackson family friend Miki Howard during the early 1980s. Who is she, you ask? She had a string of R&B hits in the late 80s and early 90s and, wait for it, just so happened to sometimes go by the name Billie. That would make the song “Billie Jean” an honest to God emotional response to what was actually happening in MJ’s life. It would also make it one of the biggest bombshells we’ve gotten about the singer who unleashed plenty of bombshells during his life, but at this point, everything is still one gigantic if.

Here’s what happened…

Apparently, singer Brandon Howard, 31, agreed to appear in a documentary for FilmOn.TV. During the course of that documentary, they asked him for a DNA swab. Later on, the producers of the documentary allegedly acquired a dental impression MJ gave to a Beverly Hills doctor, as per TMZ. A DNA comparison was run, and it allegedly showed paternity, and today, those results were released during a live broadcast that included Corey Feldman.

You would think B. Howard himself would be stoked about the findings, but according to the local news in Miami, he’s not. He allegedly never asked them to run the DNA test, has never publically acknowledged being MJ’s son and has no interest in going after the estate for money. Or he’s the puppet master behind this whole thing and doesn’t want to admit it.

If you trust these DNA results, it would seem Jackson has a child, but at this point, none of us have any reason to trust DNA results from some random company made public by a website most of us have never heard of. So, for the time being, it’s probably best if you don’t get too excited.

That being said, I highly encourage you to listen to “Billie Jean” with a totally new perspective…

RUPERT NEVE!!!!

you know… I love this man and am forever in his debt.  He’s made laboratory grade audio equipment available to music / broadcast industry for many years and his standards and  interests have grown since his beginning.  Truly a childlike interest in pushing the boundaries of the craft he practices. He applies raw physics to sound and you should watch this as a whole to appreciate the brilliance of his passion and dedication.  

I’m glad someone as enthusiastic as Hutch Hutchison is at his side absorbing it all. (though he left RND)

Long live limitless analog technology!
Long live the passionate, curious and boundary pushing!
Long live Rupert Neve


Sound guy xmas gift idea #4 – The New Rockstar Philosophy

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I recommend “The New Rockstar Philosophy” by Matt Voyno and Roshan Hoover for band members touring acts, booking agents, up coming producers  and the like.  It’s a rather brief refresher to those who are out of touch with how touring acts and recording artists make money in this social media jungle.  Chapter 17 (THE 3P: A Three-Song EP That Comes Out Every Three Months) is a really good idea and I’ve shared it below.

Chapters include:

  1. EXCLAIMER
  2. AUTOPSY OF AN INDUSTRY
  3. WHO ARE YOU?
  4. GOALS
  5. SONGWRITING
  6. YOUR BAND IS A MARRIAGE
  7. IMAGE ISN’T A DIRTY WORD
  8. DEFINING YOUR AUDIENCE
  9. THE ART OF PRACTICE
  10. RECORDING
  11. SHOWS
  12. MAKING FRIENDS
  13. CLAIMING YOUR DIGITAL HOME BASE
  14. TAMING THE SOCIAL MEDIA BEAST
  15. YOUTUBE + ONLINE VIDEO
  16. BLOGGERS + PUBLICITY
  17. THE 3P: RE-EVALUATING THE ALBUM
  18. MERCH
  19. MANAGE YO MONEY
  20. CROWDFUNDING
  21. THE NANO TOUR
  22. SHOWCASES + CONFERENCES
  23. PUBLISHING + LICENSING
  24. ART OF THE COLLECTIVE
  25. THE NANO ROCKSTAR

 

 

Shared with the permission of: Suzanne Paschall of Indie Ink   <suzanne@indieinkpublishing.com>

THE 3P RE-EVALUATING THE ALBUM

 

“Albums are for fans. Singles are for newbies.” – BOB LEFSETZ

Many bands think that if they create 10–12 songs they should record an album. Then they go ahead and spend a sweet chunk of change doing so. They’ll spend even more money to press CDs even when they know most people download music for free. After the CD release, they stop promoting the album because they thought it was all about the release party. They then get discouraged and break-up because not enough people cared about their expensive “masterpiece.” So before you spend any money recording an album, you should ask yourself a very important

question:

Why are you recording an album?

COMPETITION FOR ATTENTION

There is an abundance of music out there. It’s always been a challenge to get and keep people’s attention, but today it’s even harder. You can download an album in minutes and not even listen to half the tracks because you’ve downloaded 20 other albums in an afternoon.

Great albums are usually a collection of artistically linked songs. Although you can design an album that’s meant to be listened from front to back, typically that’s only going to appeal to people after they’ve become fans. They won’t have the patience to listen to your whole album in one go if they’re first time listeners.

RECORDING COSTS

Even at an affordable studio, you can rack up a large bill recording an album. It’s common for indie artists to spend more than $10,000 recording and pressing an album. Home recording studios are an option, but in that case you need to know the software, the gear, work with the space, and know how to get the right sounds. What’s worse still, is that your hard work gets stashed away in your parent’s garage when it doesn’t sell as much as expected.

RE-IMAGINING THE ALBUM

If great albums are defined by the greatness of the songs on them ,couldn’t an EP with three of four songs, which are all great, also have impact on new fans? If you’re in a new band, isn’t your number one priority to gain an audience?

INTRODUCING THE 3P: A Three-Song EP That Comes Out Every Three Months

3P Benefits:

YOU STAY MOTIVATED!

Since you’re regularly releasing new music, you’re always promoting something fresh. It’s easy to lose motivation trying to promote songs you wrote years ago. It’s so much more fun and exciting to promote something new. When you are excited about your product, you’ll keep pushing.

FANS COME BACK

As fans keep coming back to your site for new music, you’ll get more opportunity to let them know what else you got going on. People will come to check out the new music and see your fine t-shirts, tour dates, new content and anything else you want them to check out. Treat your 3P like you would a full length with proper videos, photos, etc., for your fans.

IT’S CHEAPER!

Releasing a 3P doesn’t break the bank in one go. You can record, mix, and master three songs for a lot less than a 12-song album. Just make sure you stick to your budget.

FOCUS ON THE SONGS

It’s not always easy to make every song on an album great. Things get lost in the shuffle of money and studio time. Releasing three songs at a time helps you focus on making all those songs great. Your music is the most important thing you do. If fans get great songs, they will spread the word for you. If you consistently deliver, you’ll continue to grow your audience.

EASY ON DIGESTION

For new fans, if they get new music, they may listen to it front to back, but chances are they’ll skip through the songs until they find one that grabs them. Releasing fewer songs at a time means your fans can get into each song with less filler.

INCREASED STUDIO EXPERIENCES

Since a 3P is its own entity, your sessions will be shorter. You’ll be in the studio more often, but you’ll be working on new 3Ps instead of the same album. You’ll have more experience working in a studio and in each session you’ll probably learn something that will help for next time.

LESS RISK TRYING OUT NEW IDEAS

Staying true to what you want to express and keeping fans happy can sometimes be tough to balance. Releasing 3Ps allows you to experiment and see how fans will react, without losing too much money or time.

HAVE HYPED UP 3P RELEASE SHOWS FOUR TIMES A YEAR

How often do you normally have a new music release show? Maybe once a year? With the 3P you can have four release shows per year and have an excuse to make a big deal out of each one.

PHYSICAL COPIES ON DEMAND

Some people will want your music in physical format even if you just have one 3P out. For them, burn and package custom copies as you need them. You save money and boxes of unsold CDs.

ALBUM AT THE END OF THE YEAR

If you release three 3Ps for the year, you have nine songs that have been promoted and helped grow your audience. If you record one more 3P, compile it with the rest, master all of the 3Ps together and you’ll have yourself a full-length album.

Fine Print

We understand that this is a new idea for many artists and it can be a lot of work, but it’s important to remember that you don’t have to embrace the whole model from the start. Writing, recording and releasing two 3P’s could be what your situation requires this year. Or releasing one 3P can be enough to energize a band into finding more momentum.

In addition, after some experience with studios you may find that it’s better to record your entire album first and only RELEASE it in 3P format. Whatever the case, the modes of digesting music have changed significantly in the last 15 years and so should your output.

Digital Distribution

You have a few choices when it comes to digitally distributing your 3P. Most bands will choose to place their music with an online aggregator like CD Baby or TuneCore. These companies can put your music into iTunes, Amazon, Spotify, Rdio and others that you choose. Typically you pay either an up front fee or your digital distributor takes a percentage from any sales for your music.

THE TAKEAWAY

Albums aren’t essential to make new fans.

The 3P is a new world answer to breaking bands.

Three or four new songs every three or four months.

The 3P is easier for your fans to digest and easier for you to put out.

Book recommendation: Audio Systems Design and Installation

ASDIcover br-500x500
http://posttoronto.com/index.php?route=product/category&path=59

This is a very well respected read as recommended to me by Neil Muncy.  At the time I was working for him (in exchange for books and resources) he would not let this one go.  Because this book was originally a short run it was available in limited quantities and the used market priced this book at 100$ – 300$  

The recently had an AES special where it was $20 off, but I think it’s a little past the promotion.  If you were to mail the publisher, they may honor it.

Mine is coming hot off the presses:

Anthony,

I have received your order for Audio Systems Design and Installation,
and will notify you as soon as the printer delivers the first copies.

I had been hoping that would be by Sept. 30, but the printer is still
adjusting proofs so it will likely take a bit longer.

Thanks!

Alan

 

I will be presenting something interesting…

Hey folks I’ve have a very interesting announcement: I will be presenting an invention I’ve never showcased in public at the AES Toronto “Members Showcase of Gadgets and Projects night”. I can’t promise a revolution but I can promise something interesting and inspiring.

If you had nothing to do on Tuesday the 24th, would greatly appreciate the support if you were to show up!

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I will be posting something following the meeting.

Selling the Invisible (Harry Beckwith) a must read

I’ve been reading a bunch of books on sales and marketing lately and one book that is really sticking out for me is Selling the Invisible by Harry Beckwith. Selling a services is a hard game and recording time, technical services, mixing etc is hyper competitive and this read WILL help anyone selling the intangible. This book would have done me well several years ago but will do me justice for the future.

invisible

If you’re too busy to read here is the BizSum of the book
and another summary restating basically the same thing.

Interactive Frequency and Gain Charts

Containing the best charts of their kind available anywhere, this free user-interactive applet is built around two main charts; one showing the overall frequency ranges of the various musical instruments and another showing the average sensitivity of the human ear to frequency across the frequency spectrum. Chock full of displayed and mouse-over information detailing many important characteristics of the specific instruments and the various frequency ranges.uency and Gain
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Having trouble distinguishing your dBVU from your dBFS? Do you set your recording levels by the meters but the levels just don’t come out the way you think they should? One of the “secrets” of the pros for making quality recordings is knowing how to read and set signal levels throughout the recording chain to get the most out of both the signal and the gear. This free on-line applet explains the fundamentals of this subject in an interactive, step-by-step way.
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Getting better with the Gorton engraving machine

10 Lessons I’ve learned about engraving by hand:

1 – CLAMP CLAMP CLAMP
2 – Flexible material WILL FLEX WHEN CLAMPED!
3 – Start in the middle of the “A”
4 – 1:1 ratios show mistakes 1:1
5 – Don’t try to “go over” a skip
6 – One letter, one pass.
7 – WD 40 on cutting head
8 – stop are just guides, they stop nothing from moving unless there is a lock on the other side\
9 – The first two “setups” are typically throw aways
10 – don’t beat yourself up, the landing gear is down.

I’ve learned my letter set is a little worn down, thus making some skips and pits a little more noticeable (this is where lesson 4 comes into play)… A new set is a little out of my price range for now.
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