Spring Cleaning – leads to…

Summer sale!

Cleaning out the shop…  more to follow


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WBS-L – 10-060 : PPM Meter Driver
WBS-L – 14-260 : Mic-Preamp and HP Filter
WBS-L – 4-109 : Amplifier Card
WBS-L – 8-109 : Amplifier Card
WBS-L – 8200 Rack 1 : 8200 Rack 1
WBS-L – 8200 Rack 2 : 8200 Rack 2
WBS-L – 8200 Rack 3 : 8200 Rack 3 – Front Room
WBS-L – 8200 Rack 4 : 8200 Rack 4 – Front Room
WBS-L – 8200 Rack 5 : 8200 Rack 5 – Front Room
WBS-L – 970029-1 : 12 Fader remote modules
WBS-L – ADC-48 : 48 Point Patchbay to EDAC90
WBS-L – Antoinette : Antoinette
WBS-L – Bryston 4B : Power Amplifier
WBS-L – BS – BIG PPM : Bach and Simpson – Large WBS PPM meter
WBS-L – BS – BIG VU : Bach and Simpson – Large WBS VU meter
WBS-L – BS – BIG VU – 400 : Bach and Simpson – Large WBS VU meter
WBS-L – BS – SMALL PPM : Bach and Simpson – Small WBS PPM meter
WBS-L – BS – SMALL VU : Bach and Simpson – Small WBS VU meter
WBS-L – BS – SMALL VU : Bach and Simpson – Small WBS VU meter
WBS-L – COUNTER : Timer
WBS-L – DMM12 : Tannoy DMM12 Speaker
WBS-L – M124 : Universal Audio Amplifier
WBS-L – M166 : Summing – Summing amplifier
WBS-L – M174 : Intercom Cross Point
WBS-L – M201 : M201 Relay Module
WBS-L – M201 : M201 Relay Module
WBS-L – M201D : M201 Relay Module
WBS-L – M202 : M202 – Logic Latch Relay Module
WBS-L – M202 : M202 – Logic Latch Relay Module
WBS-L – M207 : Phantom Power 24V to 48 V
WBS-L – M207 : Phantom Power 24V to 48 V
WBS-L – M207 : Phantom Power 24V to 48 V
WBS-L – M24A : Broadcast Multi-Track Console
WBS-L – M401 : Stereo Noise Suppressor
WBS-L – M402B : M402B – Equalizer
WBS-L – M404A : Passive HP Low Pass filter
WBS-L – M406B : Compressor / Limiter / De-Esser
WBS-L – M441M : Line input and Microphone pre-amp
WBS-L – M450 : Universal Amplifier
WBS-L – M450B : Universal Audio Amplifier
WBS-L – M450B : Universal Audio Amplifier
WBS-L – M451 : Talkback Conrtole and Dual Microphone Pre-amps
WBS-L – M452 : Tone Generator
WBS-L – M453A : Cue Speaker Amplifier
WBS-L – M453A : Cue Speaker Amplifier
WBS-L – M453A : Cue Speaker Amplifier
WBS-L – M453A : Cue Speaker Amplifier
WBS-L – M455 : Reverb Return Module
WBS-L – M457 : 4 Channel Sub Mixer
WBS-L – M458 : Peak Detector
WBS-L – M461 : Microphone and line Pre-amp
WBS-L – M461 : Microphone and line Pre-amp
WBS-L – M461 : Microphone and line Pre-amp
WBS-L – M461M : Microphone and line Pre-amp
WBS-L – M462 : 3-Band Equalizer – Full Parametric
WBS-L – M462 : 3-Band Equalizer – Full Parametric
WBS-L – M462 : 3-Band Equalizer – Full Parametric
WBS-L – M462A : 3-Band Equalizer – Mid Sweep
WBS-L – M462A : 3-Band Equalizer – Mid Sweep
WBS-L – M462A : 3-Band Equalizer – Mid Sweep
WBS-L – M462A : 3-Band Equalizer – Mid Sweep
WBS-L – M462A : 3-Band Equalizer – Mid Sweep
WBS-L – M462B : 4-Band Equalizer – Full Parametric
WBS-L – M462B : 4-Band Equalizer – Full Parametric
WBS-L – M462B : 4-Band Equalizer – Full Parametric
WBS-L – M463B : M463AB – Submaster Module
WBS-L – M463M : Summing – Sub Group
WBS-L – M464 : High Pass / Low Pass Filter
WBS-L – M464 : High Pass / Low Pass Filter
WBS-L – M464 : High Pass / Low Pass Filter
WBS-L – M466 : Compressor / Limiter / De-Esser
WBS-L – M466 : Compressor / Limiter / De-Esser
WBS-L – M466 : Compressor / Limiter / De-Esser
WBS-L – M466 : Compressor / Limiter / De-Esser
WBS-L – M466M : M466M Meter Module
WBS-L – M467 : VU Meter – Comp tie – Noise Gate
WBS-L – M467 : VU Meter – Comp tie – Noise Gate
WBS-L – M467 : VU Meter – Comp tie – Noise Gate
WBS-L – M467K : VU Meter – Comp tie – Noise Gate with Key
WBS-L – M467K : VU Meter – Comp tie – Noise Gate with Key
WBS-L – M468V : Reverb Return Module
WBS-L – M469C : M1204 Routing module
WBS-L – M470A : Microphone and line Pre-amp
WBS-L – M470A : Microphone and line Pre-amp
WBS-L – M470C : Microphone and line Pre-amp
WBS-L – M470D : Microphone and line Pre-amp
WBS-L – M471 : Stereo Input
WBS-L – M471A : Stereo Input
WBS-L – M472 : 3 Band Equalizer
WBS-L – M473A : Summing – sub Group
WBS-L – M473A : Summing – sub Group
WBS-L – M475 : Monitor – Stereo speaker monitor
WBS-L – M477 : Summing – Master Summing
WBS-L – M479 : Summing – Aux
WBS-L – M479 : Summing – Aux
WBS-L – M487 : Dual Master Module
WBS-L – M490A : Microphone Pre-amp
WBS-L – M490C : Mono line in – Via Transformer
WBS-L – M490E : Stereo Input Module
WBS-L – M490E : Stereo Input Module
WBS-L – M490E : Stereo Input Module
WBS-L – M490F : Stereo Input Module with Aux routing
WBS-L – M495 : Stereo Monitor Module
WBS-L – M495 : Stereo Monitor Module
WBS-L – M497 : Summing Amplifiers
WBS-L – M497 : Summing Amplifiers
WBS-L – M497 : Summing Amplifiers
WBS-L – M497A : M497A – Dual Master Module
WBS-L – M498 : Selector – 8 Stereo
WBS-L – M498A : Selector – 10 Stereo
WBS-L – M499 : Selector – 12 Channel
WBS-L – M499 : Selector – 12 Channel
WBS-L – M520 : ST Series Microphone Pre-amp
WBS-L – M520A : ST Series – Microphone Pre-amp
WBS-L – M520A : ST Series – Microphone Pre-amp
WBS-L – M521A : ST Series – Stereo Line in
WBS-L – M522 : ST Series 3-Band EQ
WBS-L – M522A : ST Series 3-Band EQ
WBS-L – M522A : ST Series 3-Band EQ
WBS-L – M522A : ST Series 3-Band EQ
WBS-L – M523 : ST Series Sub Group
WBS-L – M525 : Monitor Controller
WBS-L – M527 : M527, MASTER MODULE
WBS-L – M528B : Dual Summing Amp
WBS-L – M529 : M529 – Communications Module
WBS-L – M529A : Communications Module and Tone Generator
WBS-L – M562C : Stereo 3-Band Equalizer
WBS-L – M562C : Stereo 3-Band Equalizer
WBS-L – M562C : Stereo 3-Band Equalizer
WBS-L – M604 : M604 – Dual Frequency Oscillator
WBS-L – M605A : Distribution Amplifier
WBS-L – M605A : Distribution Amplifier
WBS-L – M621 : 20 Watt Power Amplifier
WBS-L – M621 : 20 Watt Power Amplifier
WBS-L – M624 : 24 Volt Power Supply
WBS-L – M624 : 24 Volt Power Supply
WBS-L – M624 : 24 Volt Power Supply
WBS-L – M625B : 25V Audio Power Supply
WBS-L – M625B : 25V Audio Power Supply
WBS-L – M625B : 25V Audio Power Supply
WBS-L – M625B : 25V Audio Power Supply
WBS-L – M625B : 25V Audio Power Supply
WBS-L – M648 : 48V Phantom Power Supply
WBS-L – M648 : 48V Phantom Power Supply
WBS-L – M648 : 48V Phantom Power Supply
WBS-L – M701B : Intercom on ramp
WBS-L – M805 : Distribution Amplifier
WBS-L – M805 Rack : M805 Rack
WBS-L – M808 : Logic – Relay Board
WBS-L – M8200 : Remote Controlled Micpre-amp
WBS-L – M8202 : Digital to Analog Converter
WBS-L – M8204 : Distribution Amp
WBS-L – M8205 : Distribution Amplifier
WBS-L – M8205B : Distribution Amp
WBS-L – M8205B : Distribution Amp
WBS-L – M8205B : Distribution Amp
WBS-L – M8245 : 8200 series Power Supply
WBS-L – M8540 : Intercom Power Supply
WBS-L – MF10 : Rack Mount Module Tray
WBS-L – MISC INTERCOM : MISC INTERCOM
WBS-L – PAULINE : MP1, MP2,MP3,MP4 Meter Panels
WBS-L – Peggy Sue : Peggy Sue Mixing Console
WBS-L – PG 1550 : Penny and Giles 1550
WBS-L – PG 1550 : Penny and Giles 1550
WBS-L – PG 1550 : Penny and Giles 1550
WBS-L – PG 1550 : Penny and Giles 1550
WBS-L – PG 4520 ST : ST Series Penny and Giles 4520 Fader
WBS-L – PG 4520 ST : ST Series Penny and Giles 4520 Fader
WBS-L – PG 4520 ST-ereo : ST Series Penny and Giles 4520 Fader Stereo
WBS-L – R1400-870139 : R1400-14 Channel Radio Console
WBS-L – RACK – MF10 : RACK – MF10 – 10 Space Rack
WBS-L – RACK-FX Rack 1 : WBS-FX Rack 1 – Dynamics – EDAC 90 and XLR for Keys
WBS-L – RACK-FX Rack 2 : WBS-FX Rack 2 – Dynamics and Filter – EDAC 90
WBS-L – RACK-FX Rack 3 : WBS-FX Rack 3 – Filters – EDAC 90
WBS-L – RACK-Summing Rack : RACK-Summing Rack
APK – Rhonda : Rhonda
APK – RTO-214-NAB2015 : 2 X 14 Retro Module Rack
APK – RTO-47-NAB2015 : 4 X 7 Retro Module Rack
APK – RTO-47-The Hoser : 4 X 7 Retro Module Rack
WBS – ST12-10-3-F : ST series – 10′ – 1′ tail-Female – LINE IN
WBS – ST12-10-3-M : ST series – 10′ – 1′ tail-Female – DIRECT OUT
WBS – ST12-25-U : ST series – 20′ – USER TERMINATED
WBS – ST12-3-1-F : ST series – 3′ – 1′ tail-Female – INSERT
WBS – ST12-3-1-M : ST series – 3′ – 1′ tail-Male – INSERT
WBS – ST12-30-3-M : ST series – 30′ – 1′ tail-Female – MIC IN
APK – Stan : STan – 12 Channel ST series Console
STUDER – Studer-Phase : Analog Studer-Phase meter
– DBX – 911 – Noise Reduction
– DBX – 911 – Noise Reduction
– DBX – 911 – Noise Reduction
– SKOTEL – SKOTEL “Digital” Metronome
– – Cart Deck
– Alesis – Midiverb 2
– Symetrix – A220 – 20 Watt amplifier
– Behringer – Behringer Edison – Stereo enhancer
– DOLBY – Dolby SDDU-4 – Surround sound decoder
– DOLBY – DOLBY SDEU-4 – Surround sound encoder
– Marantz – PDM 221 – portable field recorder
– Tascam – 122 Cassette Deck
– UREI – UREI METRONOME
– ADC – Digital Patchbay
– APK – EDAC breakout – RACK output
– DBX – 120XP Sub Harmonic Synth
– Clydsdale – Orange Case – Dutchie
– Digidesign – 003 Rack – missing pwr on button – discolored
– Studer – Telephone Hybrid
– Studer – Telephone Hybrid
– Tascam – 122MK2 – 3 head stereo cassette recorder
– BBE – BBE 702 (stereo Sonic Maximizer in 900 series)
– Altec – Altec Lansing Tube Mics 001
– Altec – Altec Lansing Tube Mics 002
– Altec – Altec Lansing Tube Mics 003
– Altec – Altec Lansing Tube Mics 004
– Altec – Altec Lansing Tube Mics 005
– Altec – Altec Lansing Tube Mics 006
– Altec – Altec Lansing Tube Mics 007
– Altec – Altec Lansing Tube Mics 008
– APK – EDAC breakout – XLR
– ASHLY – ASHLEY SC-68 notch filter
– BSS – DPR-402 – Compressor limiter / De-Esser
– BSS – DPR-402 – Compressor limiter / De-Esser
– MOGAMI – (24) Channel 25′ EDAC TO EDAC EXTENSION
– MOGAMI – (24) Channel 6′ EDAC TO EDAC EXTENSION
– MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 001
– MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 002
– MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 003
– MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 004
– MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 005
– MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 006
– MOGAMI – (24) Channel 8′ EDAC TO EDAC Snake – 007
– Shure – Shure SM81
– Yamaha – YAMAHA PB-1
– Yamaha – Yamaha SPX900 Reverb
– AKG – AKG – H99 – Harry – BINAURAL Stereo Microphone
– APK – EDAC breakout – TRS
– DELTA LABS – EFFECTRON II ADM1024
– Tascam – 122MK2 – 3 head stereo cassette recorder
– LEXICON – PCM41
– New Frontiers – DSP-2110-EX S – signal Analyzer
– AUDIO ACCESSORIES – 2RU – 96 point – TT Patchbays – EDAC 56
– SELA – 2880-6F ( field mixing console)
– SPL – Vitalizer ( Classic grey faced)
– TC ELECTRONICS – TC Electronics – FireworX
– TC ELECTRONICS – FINALIZER PLUS
– DBX – DBX 900 – Rack – Wired to EDAC with EDAC snake
– APK – TT Patchbays – EDAC 90 – CUSTOM
– APK – TT Patchbays – EDAC 90 – CUSTOM
– APK – TT Patchbays – EDAC 90 – CUSTOM
– APK – TT Patchbays – EDAC 90 – CUSTOM
– Alesis – Alesis HD24 – 24 Track – with Hard case and mogami snakes

Dolby atmos

I was lucky enough to get to visit the new Atmos mix room at Deluxe Toronto.  This was the deadest big room I’ve ever been in.  It was impressive to hear the system.  Being a part of the AES gave me an incredible experience of A/B-ing the new IMAX mix room at Technicolor and the Atmos room at Deluxe.   In my opinion the ideas of IMAX immersive technologies translate much better.   The guys at IMAX got it right.

Screen Shot 2015-01-25 at 12.36.21 PMMartin Pilchner did an amazing job.
They had a guy from dolby explaining a little about how Atmos renders… very interesting how it translates from room to room.


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More information from the Dolby Site:
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IMAX- The Next generation of IMAX sound – 12 Channel configuration – and LASER projectors, about time

Imax – The Next generation of IMAX sound –  12 Channel configuration – and LASER projectors, about time!!

Had a fantastic experience with the new IMAX sound system at the AES meeting held at Technicolor.

The “Upper Quad” ceiling speakers really bring it together.IMG_8687

VBAP is going to need some work… and a HUI

I walked away asking: “If it were truly immersive, there would never be idle speakers”  Cory said: “Backgrounds are the first thing to go…” I think those will become crucial.

I also walked away wanting a dozen U87s…

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Of course you could hear the birds chirping and running away WHILE the rocket was launching…
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sound guy Xmas idea: APx515 2-Channel Audio Analyzer

This would be a dream for the test bench.  Simple, robust effective analysis tools!   I would be happy with an old system one… but this would be on the shelf in a heartbeat. 

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The APx515 is a high performance audio analyzer optimized for production test. APx515 has a typical THD+N of –106 dB, a one million point FFT with 24-bit resolution, and 192K digital I/O. It is a best-in-class instrument for its combination of speed, performance, automation, and ease-of-use.

APx515 is a significant product because it delivers the performance and reliability of Audio Precision at a production-level price.

APx is the fastest audio analyzer in the world, returning 21 audio measurements in as fast as 1.2 seconds. It is also the easiest to use, with one-click measurements, custom reporting and sophisticated automation without any programming. A full API and LabVIEW driver is also provided.

This speed and ease-of-use means test will never be a bottleneck, and production line managers can achieve reliable, consistent results compared to the current low-cost alternatives like a distortion analyzer.

For companies outsourcing their production, requiring APx515 on the production line gives tighter control over production, ensuring manufacturers are meeting their contractual requirements.

JL Sub-Woofer

Took a look inside a JL subwoofer… quite the coil and suspension system.  http://www.jlaudio.ca/home-audio-powered-subwoofers-fathom

JL audio dominates the Car stereo market in terms of driver quality.  The salesman said the best line “We learned a lot from our 12 Volt line of products in designing this home theatre sub”  so from now on, Car audio will be forever “the 12 volt industry”


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Dual Spiders to support the super high excursion of the woofer…  simply incredible designIMG_7964

Super cool Philips console

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rom the sale:

 

Up for sale is a rare 1970’s Philips LDC25 console. The console features 24 transformer balanced mic/line inputs, great sounding 3 band EQ, 2 aux sends per channel and 4 transformer balanced output busses. 16 of the input channels are early discrete LDC modules and the last 8 feature later 1970’s IC based modules – both sets of modules sound, for all intents and purposes, identical. The sound of this desk is punchy, clean and very hi-fi sounding – easily on par with anything built by Neve/Api/Studer from the same era. These were built by Philips in Holland for recording mostly classical music, but were built to a very high standard and also sound fantastic on modern tracks which require a very forward sounding mix with a very low noise floor. I bought this to use as the main console in our studio due to the high build quality, high track count, compact size, multiple sends and versatile output options – but I need to raise money for the completion of our house restoration which takes priority to the studio build out. All the manuals and module documentation are included. The console will be fully gone through by a qualified technician prior to shipping and/or pickup. All input/output wiring is terminated to panel mounted XLR connectors, so all you need to do is connect the console to your DAW/tape machine and you are ready to record – no wiring necessary.
The console is located two hours west of Chicago in IL. I’m happy to assist with freight shipping, but please understand due to the fragile nature of vintage electronics any risk associated with shipping is going to be your responsibility. Local pickup is welcome. Payment by check or wire transfer only for this listing. Please feel free to contact me with any questions you might have. I hope this console finds a good home!

A Social Experiment

I’ve been thinking about a social experiment.
I often take calls from people looking for services, I’ve met a lot of great people in this industry and I do stand by their great work and contributions.   So instead of fielding calls and answering the questions I’ve created a Wizard Services section at http://audioaholics.com/wizard_services

I am asking you my friends to use it to work, get work share work and do work together.  I would like to consider it my rolodex

I’ve got the permission to post a few contacts and will be doing so this week.

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RUPERT NEVE!!!!

you know… I love this man and am forever in his debt.  He’s made laboratory grade audio equipment available to music / broadcast industry for many years and his standards and  interests have grown since his beginning.  Truly a childlike interest in pushing the boundaries of the craft he practices. He applies raw physics to sound and you should watch this as a whole to appreciate the brilliance of his passion and dedication.  

I’m glad someone as enthusiastic as Hutch Hutchison is at his side absorbing it all. (though he left RND)

Long live limitless analog technology!
Long live the passionate, curious and boundary pushing!
Long live Rupert Neve